This is why it's always good to have a pro to hold your hand for at least some of the way, (carefully chosen though, check out his/her finished projects, the more varied the styles, the better she/he will be able to understand and adapt to your desires), they can provide the invaluable visual supports too. When it's your own house it's notoriously difficult to see the possibilities, you have it under your eyes the whole time and the defaults shout at you and prevent you being able to see it objectively and envisage the possibilities. you're emotionally involved and emotions always have the upper hand on the brain, so you just keep turning round in circles. Something akin as to why a psy must never attempt therapy on a member of his own family, if you follow me :D As for the façade color, are you sure it needs changing that much ? Once those thick white frames have gone and the new windows nestling more discreetly, correctly positioned and re-proportioned, the aspect will change drastically and be far more streamlined and modern. (the devil is in the detail) I'd also strongly suggest that the wood facing just breaks off around the windows, no framing or finishings. Same thing for all the windows, the small ones too. Entrance : Same as for the windows, that outer frame shouldn't be touching the ceiling, you can try taking that off and painting the door another color before deciding to change it and once again the door could do with setting back a little. You could maybe take that doorstep out while you're at it. Also, i don't know what is happening to the right of the door but i see the concrete steps leaing up and feel it would be good to create another level to make it flush with the bottom of the door if structurally possible. This would tie it all in better and you probably wouldn't need any additional definition to your entrance. Anyhow, as i often quote, i'm a firm believer in " Less is More " , and vice versa of course ^^ Question #4 i can't answer as i haven't really understood the problem And #5 i don't think so, but once the other transformations have been taken care of i think you'll find it speaks for itself. Whatever, it's a very exciting project, the bones are great and i'd love to see photos of progression once you get started.

Hi eclipse 66 I'm sorry to hear about your break in. This is quite tricky to picture as I wasn't certain which walls related to which, but I will give this a go. I wonder if your ceilings are around the 2.4mtr mark, as your doors suggest. Although you have many windows that are probably floor to ceiling, each room is sectioned off by this central corridor, so no real natural light gets down there, is that right? The little natural light that might filter through would be absorbed by the walls, and the colour you have on these walls would not be easily seen. Without. Sounding too mainstream here, I would absolutely paint an offwhite wall the entire corridor and each adjoining living area off that, with exception to your kitchen. All ceilings purest ceiling white along with the window frames and all internal doors. The walls in a satin finish to help the light reflect a little, and move around the wall without being too shiny. You haven't mentioned your floor? Try to keep it consistent in all the living areas including your hallway, and only carpet the bedrooms as these doors would be closed often. With the door filled hallway being a white gloss finish, and a white ceiling in a flat white, the walls will feel a little warmer in comparison, although still a white, perhaps something like a hog bristle 1/4 strength by dulux. In your main living room, and kitchen, paint the hog bristle in full strength, so it feels warmer, as these spaces flow onto each other, feeling larger as a whole. With your doors being so tall, (or the ceiling being comparably low), hang your window rods if any right at ceiling level, use a sheer curtain that even when partly closed let's light filter through, they dress the window but won't block light, for that install roller blinds that will roll right up exposing as much daylight as possible, and if privacy is a factor, the sheer will provide a buffer and still seem light filled. Even if these are never used, framing the window will place an emphasis on the window frame, and more importantly the light they provide, swell as an illusion of vertical space even without it. Aother suggestion for that hall is to use this principle to heighten the ceiling, visually, is to use lining boards vertically, or a wallpaper with a strip or vertical print. Drawing you eye upward toward the end, with a wallpaper, I'm thinking of one I've seen many times over, it's a white or cream background, with an image of birch trunks, the base or top of the trees arent revealed in the picture so it doesn't make the space feel from a low or high perspective. This would provide a creative distraction to the corridor, evoke a feeling as you have walking through a beautiful place, and is graphic but still very neutral. You can even paper you doors so when they're closed, the hallway won't feel so busy. I would remove carpet in the hall if you have any, because a warm closed in space without proper airflow, or light feels stuffy, and carpet absorbs sound and lint, where floorboards or hard surface atleasts has a sound walking down it, which amplifies noise and feels bigger again by comparison. Against this neutral, cohesive space, your furniture andpersonality pieces can really stand out, particularly the red. I would also use this in the kitchen somewhere, maybe a gingham check fabric on the kitchen window or just your accessories. The less is more theory also extends to colour, particularly in smaller busy spaces, minimize these elements, like the repeat of doors and architraves on your walls, by tying them in with single colour, and keep your decorations either in a theme or single colour hue. Scatter your colour around so visually you have somewhere your eye is drawn to around the space. If you get pictures I will know if I'm way off track, but if any of them resonate with you, then great. Good luck. Ml design

And I would be planting trees – real trees not dwarf versions of trees and no more palms (unless you want to have palm tree themed garden – in which case a lot more palms are needed). I am not advocating planting forest giants but there are trees that will provide shade, shelter and a sense of scale that you won't get from yuccas and buxus and mondo grass and succulents alone. But before you start buying those trees you have a few decisions to make and a bit of analysis to do. 1. Orientation – you need to understand the basics of winter sun and summer sun, how much westerly sun you welcome and how much you need to shelter from it; where your prevailing winds blow from and whether this changes with the season also. So, once you've worked out where you want the sun to penetrate and at what time of the year, how to allow for wind, frost, whatever... you need to 2. Decide if you want a predominantly native garden, a range of deciduous trees or a completely eclectic selection (like the best 'English' gardens – which are planted out with plants from all over the world – Indian subcontinent, Asia, Africa, The Americas etc. Even some from Australia!). 3. Now the tricky bit – what do you love, i.e. which trees and plants make your heart really sing – and hopefully for more than two or three weeks of the year? Once you have that list which of those are likely to be happy in your climate, in your soil and with the amount of gardening attention (watering, feeding, pruning etc) that you're likely to enjoy lavishing on them. Your long list will by now be a much shorter (and more manageable list) but trees are what make a house look bedded in and part of a landscape rather than just sitting out in the open in a way that is both self-conscious and a bit awkward. Although, again I guess you could embrace the suburban awkwardness and go all Howard Arkley in which case keep it all small and suburban... But it is your garden and your house – make it look like what you want your house and garden to look and feel like! Good luck!

The all black kitchen looks scary as. Maybe because there's no lightness in there at all.