Thanks for your comments - The room is approx. 5m square - so not huge. The tiles being too busy for it is a concern I have too. It's very light and sunny - two of the walls are glass and slide back to the outside, one wall is French doors which lead inside the house and the other wall has windows looking into the house. The roof is louvre. Can't put up a picture as it's still being built! I'm still lusting after these tiles though...

I would clean up first. Especially the stuff growing in the paving. Then get gardening with pot plants and start experimenting with different plants and the positions. See what you like and if you can keep it alive! Our house has the sun setting over the back fence and we've done a few inexpensive things to reduce that issue (most expensive were outdoor blinds around the verandah) but for most of the year we just don't want to be out there. It is hard work to keep the plants going in summer, there is a lot of sand due to the difficulty in keeping lawn alive and it is just bloody hot. So, that's why I'm saying clean up, start gardening small and see how you go before committing to structures that might not address the real issues you have with the yard. Just my 2 cents! :)

Brief: The client had purchased a 4 bedroom villa with large proportions. With white walls throughout, and very little existing furniture that the client wanted to keep, it was a blank canvas for design work in all areas of the house. A new kitchen was required to allow the client to enjoy cooking and house contemporary storage solutions. The client wanted to retain the integrity of some of the villa features, yet create a contemporary elegance which was different from a traditional take on design, and incorporated a quirky eclectic feel that could include reference to other eras. They wanted a sense of luxury and surprise incorporated into the design but didn’t want the traditional busy-ness of the Victorian era in which the villa was built but a more uncluttered simplicity. Newly purchased villa Solutions: With the entire house being white, and the existing black painted floorboards and grey carpet, a black and white base to the colour scheme was layered with accents of red and aqua, mixed with metallic silvers and charcoals. The starting point for this colour scheme was a painting the client had for the living area, which had a touch a soft aqua in it. (as pictured below) and we wanted to connect it into the room. A variety of depth of aqua tones were brought into the colour scheme to give it more depth but keep it restful. Existing art work The existing kitchen was dark and heavy and required a complete redesign, but had to fit with the existing large scullery area in behind it and incorporate all the modern storage within. The new design bought together pattern, texture and light. The cabinets above the hobs were printed with graphics on glass which incorporated a large scale traditional pattern and a touch of the soft aqua blue. This pattern on the glass uses a traditional emblem element and plays with scale to contemporise it. The main bench-top and cabinetry were kept light and white, to connect with the rest of the house, and an asymmetrical feature bench-top in Petra Grigio marble was added to balance the asymmetry of thehigh wall cabinetry on the back wall. The feature marble added interest and depth to the island. The high wall cabinetry was kept open on the right, to visually connect with the scullery rather than close it off. The splash back tiles on the back wall and tiles on the back of the island were heavily textured and played with the light to create a sense of interest and movement. The kitchen is situated in a south facing part of the house so it was important to consider reflectance, sheen, and the use of materials that added to the perception of light. The kitchen and scullery floor was also replaced with quirky tiles that played with light. To complete the area, high gloss black glass lights were hung over the island.These light fittings had a large base plate so the framing of the fretwork on the ceiling had to be enlarged to install them. The previous kitchen was flued through the roof on the kitchen side, we took it through the back wall and up through the scullery shelving in order to take it out of sight. The design off the kitchen allows connection to other areas so that while the kitchen is being used by the client, he can entertain at the same time. Before After The dining family area was open plan to the kitchen. A large American ash dining table with a charcoal stain was added with fully upholstered dining chairs, sitting on a custom designed rug. Contemporary cabinets in Resene Black-white sat on either side of the fireplace which had the hearth replaced in a black Basalt and a new gas fire retro-fitted into it. Contemporary chairs and small black leather and chrome side tables gathered around the fireplace sitting on a custom designed rug to provide a comfortable conversation space with out cluttering it with heavy furniture. All the fabrics and rugs pulled together the aqua, black and white colour scheme. Each chair around the fireplace was upholstered in a different luxurious velvet fabric, pulling together the traditional and retro elegance. Before After The formal lounge connected to the kitchen area and the back patio area of the house. The furniture was custom built for comfort and luxury. The fabrics incorporated velvets and texture, and the custom made rug added a high silky sheen to the room. Red was introduced into this area along with the aquas and the black -white base to bring warmth into a south facing room. A black basalt hearth was overlaid on the existing hearth, and the clients existing entertainment cabinet was recoloured to work with the scheme. A large traditional decorative silver framed mirror reflects back to the kitchen connecting the areas. This area provided the client with a spatial sanctuary, but also allowed for entertainment with the connection through to the kitchen and living areas. Before After The entrance hallway had large proportions. New hall lights were added that were made from a contemporary medium of black acrylic, yet were a modern take on a traditional chandelier. The pattern of these lights was reflected in the design of a custom designed hall runner. The scale of pattern oversized to enhance the proportions of the hallway and emphasis the contemporary feel. A touch of red was added in to bring interest into the colour scheme, you can see the formal lounge at the end of the hallway and the red leads you in. There is a real sense of an eclectic mix of scale and over the top luxury in this space. The rug allowed the client to have a warmth and softness on the flooring. To furnish the hall, we had to custom size a hall table so that the proportions worked. Before After The final result is a seemless transition from Victorian through to contemporary, connecting through a variety of design elements and creating the eclectic elegance the client was after. Check out entire project here!

Hi , I'm not sure if this is the right place to post this , or whether it's even allowed , but a question here on Houzz today got me thinking about a house my parents built . I spent my childhood living there , so it is probably the most 'special' memory for me . The moderators can delete this if its not suitable , and anyone and everyone can add to it . . . . . . . . . . So it was 1973 in rural New Zealand , my parents were farmers and ambitious , they had bought their first farm about 5 years earlier , and had just bought the neighbouring property . They wanted to take on staff , and it was either build them a new house , or one for 'us' . I was just starting at school , and the old wooden farmhouse was nice -- the old slide up windows , wooden floors , nice verandas -- it was fun . They decided we would get the new house , and unbeknown to me then , they must have been mortgaged up to the eyeballs , but they got an architect , chose a nice slightly sloping spot ( the joys of many hectares to choose from -- or maybe the few facing the road with a view too ! ) , and a plan was put in place haha ! Being a sloping section , it was built on 3 split levels . I think that was fairly common then , but this was slightly different -- the top 3 bedrooms , one bathroom , one toilet , and office , had an 8ft ceiling height . The next 2 bedrooms and another bathroom and toilet , and the garages and storage ( which was basically a wing out the back ) had a 9ft stud . Then down 3 or 4 steps , and the lounge , kitchen , dining , washhouse , and family room had an 11 foot stud ! The lounge had a huge ( for the period ) glass window , from memory 9 ft tall and something like 14 ft wide . One piece of glass . Hopefully strenthened glass -- we never broke it in 20 odd years luckily ! With 4 opening windows down one side . Aluminium framed , like every window in the house . So we are talking 1973 , very high ceiling , large glass window . The entire house was in a weird ( but trendy at the time ) chocolate brown brick , but roughcast on the outside with these charcoal big flecks sticking out half an inch or so . And here was where it got more unusual -- the opposite side of the lounge ( opposite the huge window ) was done as a feature wall , in the same brick , inside ! So this huge 11 foot tall brick wall as a feature wall in the lounge ! Strange ? Well -- about 2ft 6" in front of that was another wall , in the same brick , about 2ft 6 tall -- yes , a planter ! The middle 3 foot or so of this planter had a 'ledge' , and our huge 25" TV ( or whatever was huge at the time ) was on this ledge , almost hiding amongst all the leafy plants , in pots , in this planter box ! I guess iconic 70's , just seems a bit naff now . And one weird thing ( knowing what I know now , it makes sense ) -- a long house on a sloping section , built on 3 split levels , but with a flat ceiling , would look weird wouldn't it ? Even with a large feature window , it'd look quite boring ? Umm , no . I didn't know it at the time , but this must be where architects come into their own . The 'rumpus room' ( it would be called a family room these days ) on the left hand end had a ranch slider , with a terrace out the front , and the ( tiled ) roof came 4 or 5 feet out from the front , to cover this terrace . And this room was maybe 20 foot deep , most of the rest of the house 30-35 feet . So this roofline was a foot or so lower , and 3 foot lower at the peak , than the rest . Then was the dining room , with the kitchen behind it . Set back 5 or 6 feet , so quite a deep terrace , with a 6foot square fixed window and the main entrance door . You could just about hold a conference of 30 people on that terrace , out of the rain haha . The kitchen was at the rear , and had windows on the side wall ( as it was quite a bit deeper than the 'rumpus room' ) and one of those glass things with angled glass on top and sides ( bay window ? ) at the rear . This 'section' , and the lounge ( with laundry and a seperate toilet and a sewing room and a hallway , all behind the brick feature wall ) , all had the same roof profile . Then the whole house 'stepped back' 3 foot , as well as 'stepping up' 2 foot , so it had a whole new roof profile . And then the 'top' part stepped up another foot , but slightly strangely , also forward 1 foot . So outside was 4 completely seperate roof profiles -- inside were 3 split levels , but the ceiling was completely flat ! From memory , it was about 2200 square foot ( which was big back then ) , and another 1000 or so garage and storage . I'm not sure if they were joking or not , but Mum and Dad used to say that the garage was put around the back , because if it had been added on the end , people would think we were rich haha ! I think the house was about 90 foot long , the garage would have added another 40 ! And for anyone wanting modern measurements , work it out yourself haha . Whats your story ?