Asian Kitchen with an Undermount Sink Design Ideas
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Steve Tull European CabinetryThis is a good example showing how we can utilize drawers underneath the kitchen sink. This makes it a lot easier to organize and access your cleaning products, plus you get two levels of storage instead of just one. Notice the pretty dovetailed drawer joinery.
BRADSHAW DESIGNS LLCBRADSHAW DESIGNS, San Antonio kitchen, Asian inspired kitchen, Asian inspired in San Antonio kitchen, Wood kitchen, interesting hardware, Asian cabinet hardware, Unique hardware, Quartzite countertop, super white quartzite, stainless hood, vent hood stainles, Cross Construction Company, San Antonio, Delta Granite and Marble San Antonio, Glass tile backsplash to ceiling, Greek key detail, Greek key furniture detail, Greek key cabinet,
BRADSHAW DESIGNS LLCBRADSHAW DESIGNS, San Antonio kitchen, Asian inspired kitchen, Asian inspired in San Antonio kitchen, Wood kitchen, interesting hardware, Asian cabinet hardware, Unique hardware, Quartzite countertop, super white quartzite, stainless hood, vent hood stainles, Cross Construction Company, San Antonio, Delta Granite and Marble San Antonio, Glass tile backsplash to ceiling, Greek key detail, Greek key furniture detail, Greek key cabinet,
JTID Inc.Drawing inspiration from Japanese architecture, we combined painted maple cabinet door frames with inset panels clad with a rice paper-based covering. The countertops were fabricated from a Southwestern golden granite. The green apothecary jar came from Japan.
Harmoni Designs + BuildArchitecture and Design by: Harmoni Designs, LLC.
Photographer: Scott Pease, Pease Photography
UserA 19th century Japanese Mizuya is wall mounted and split into two sections to act as upper and lower cabinets. Custom cabinetry mimic the style of the client's prized tonsu chest in the adjacent dining room
KOELNMOEBELBei dieser Küche galt es den Küchenbereich von der Diele und dem Wohnungseingang zu entkoppeln, ohne die Räume voneinander zu trennen.
Die Küchenmöbel wurden farblich passend zu den antiken Zementfliesen lackiert. Die Fronten sind seitlich schräg geschnitten, unten und oben jedoch gerade, so dass ein interessantes Fugenbild entsteht. Im Hochschrank steckt rechts ein 200kg tragender, voll heraus ziehbarer Schrank, der locker das Alltagsgeschirr in sich birgt.
Die robuste Arbeitsplatte ist aus solidem Edelstahlblech gekantet, das Becken nahtlos eingeschweißt. Auf der hinteren Aufkantung steht bündig eine hochglänzende Holzrückwand mit eingelassenen Steckdosen. Der praktische Schwallrand an der Arbeitsplattenvorderkante verhindert, dass Vergossenes auf den Boden tropft.
Der dreiteilige Hängeschrank ist mit goldschimmernden Zitronenholz furniert und transparent lackiert. Die Regalform und die Glastüren betonen die Offenheit und Großzügigkeit des Raumes.
Die beidseitig - ebenfalls Zitronenholz furnierte - nutzbare Theke vereint viele Funktionen: links ragt tief die Spülmaschine in ihren Körper, mittig teilen sich Küchen- und Thekenschrank die Tiefe und rechts füllen 80cm lange Schubladen die ansonsten schlecht nutzbare Ecke der Küche aus. Dabei manifestiert sie auf Grund der Materialwahl und ihrer Höhe den Übergang von der Küche zum Wohnbereich.
加藤淳 一級建築士事務所ダウンフロアリビングが特徴的な住まいです。
三方が住宅に囲まれた密集地で、道路より敷地が約40㎝高くなっていました。
その敷地の高低差を利用し、リビングの床の高さを低くしています。
通常は、敷地が高い場合、玄関前のポーチ階段により、数段上がって家に入ります。
荻曽根の家では、家の中で徐々に上がるようにしました。
そして、2階の床も少し上げています。
2階の少し床をあげることにより、1階と2階のつながりが生まれ、下記の点のメリットがでています。
・視線の抜け、広がり感
・家族間のコミュニケーション
・風の抜け
・採光をとりやすくなる
リビングは、南側からの採光を高窓から主に採り入れています。
隣家からのプライバシーも保ちやすいです。
さらに、視線の抜けや広がり感を演出し、1階と2階で家族のコミュニケーションも取りやすくなっています。
Adeeni Design GroupArchitecture: Sutro Architects
Landscape Architecture: Arterra Landscape Architects
Builder: Upscale Construction
Photography: Christopher Stark
Johnny Grey Studios.Our brief was to create a calm, modern country kitchen that avoided cliches - and to intrinsically link to the garden. A weekend escape for a busy family who come down to escape the city, to enjoy their art collection, garden and cook together. The design springs from my neuroscience research and is based on appealing to our hard wired needs, our fundamental instincts - sociability, easy movement, art, comfort, hearth, smells, readiness for visitors, view of outdoors and a place to eat.
The key design innovation was the use of soft geometry, not so much in the planning but in the three dimensionality of the furniture which grows out of the floor in an organic way. The soft geometry is in the profile of the pieces, not in their footprint. The users can stroke the furniture, lie against it and feel its softness, all of which helps the visitors to kitchen linger and chat.
The fireplace is located in the middle between the cooking zone and the garden. There is plenty of room to draw up a chair and just sit around. The fold-out doors let the landscape into the space in a generous way, especially on summer days when the weather makes the indoors and outdoors come together. The sight lines from the main cooking and preparation island offer views of the garden throughout the seasons, as well as people coming into the room and those seating at the table - so it becomes a command position or what we call the sweet spot. This often results in there being a family competition to do the cooking.
The woods are Canadian Maple, Australian rosewood and Eucalyptus. All appliances are Gaggenau and Fisher and Paykel.
Asian Kitchen with an Undermount Sink Design Ideas
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