Powder room - Elitis vinyl wallpaper with red travertine and grey mosaics. Vessel bowl sink with black wall mounted tapware. Custom lighting. Navy painted ceiling and terrazzo floor.

Dans cet appartement familial de 150 m², l’objectif était de rénover l’ensemble des pièces pour les rendre fonctionnelles et chaleureuses, en associant des matériaux naturels à une palette de couleurs harmonieuses. Dans la cuisine et le salon, nous avons misé sur du bois clair naturel marié avec des tons pastel et des meubles tendance. De nombreux rangements sur mesure ont été réalisés dans les couloirs pour optimiser tous les espaces disponibles. Le papier peint à motifs fait écho aux lignes arrondies de la porte verrière réalisée sur mesure. Dans les chambres, on retrouve des couleurs chaudes qui renforcent l’esprit vacances de l’appartement. Les salles de bain et la buanderie sont également dans des tons de vert naturel associés à du bois brut. La robinetterie noire, toute en contraste, apporte une touche de modernité. Un appartement où il fait bon vivre !

Nestled amongst Queenslanders and large contemporary homes in a suburb of Brisbane, is a modest, mid-century modern home. The much-loved home of a professional couple, it features large, low windows and interiors that have lost their way over time. Bella Vie Interiors worked with Boutique Bathrooms Brisbane to redesign the bathroom and give it a true sense of identity. The result is a light, functional bathroom that blends seamlessly with the Mid-Century Modern aesthetic of the home.

This Willow Glen Eichler had undergone an 80s renovation that sadly didn't take the midcentury modern architecture into consideration. We converted both bathrooms back to a midcentury modern style with an infusion of Japandi elements. We borrowed space from the master bedroom to make the master ensuite a luxurious curbless wet room with soaking tub and Japanese tiles.

This single family home had been recently flipped with builder-grade materials. We touched each and every room of the house to give it a custom designer touch, thoughtfully marrying our soft minimalist design aesthetic with the graphic designer homeowner’s own design sensibilities. One of the most notable transformations in the home was opening up the galley kitchen to create an open concept great room with large skylight to give the illusion of a larger communal space.

Gorgeous, mahogany floating vanity to match the traditional mahogany interior doors. Satin brass drawer pulls matching the lighting fixtures.

Twin Peaks House is a vibrant extension to a grand Edwardian homestead in Kensington. Originally built in 1913 for a wealthy family of butchers, when the surrounding landscape was pasture from horizon to horizon, the homestead endured as its acreage was carved up and subdivided into smaller terrace allotments. Our clients discovered the property decades ago during long walks around their neighbourhood, promising themselves that they would buy it should the opportunity ever arise. Many years later the opportunity did arise, and our clients made the leap. Not long after, they commissioned us to update the home for their family of five. They asked us to replace the pokey rear end of the house, shabbily renovated in the 1980s, with a generous extension that matched the scale of the original home and its voluminous garden. Our design intervention extends the massing of the original gable-roofed house towards the back garden, accommodating kids’ bedrooms, living areas downstairs and main bedroom suite tucked away upstairs gabled volume to the east earns the project its name, duplicating the main roof pitch at a smaller scale and housing dining, kitchen, laundry and informal entry. This arrangement of rooms supports our clients’ busy lifestyles with zones of communal and individual living, places to be together and places to be alone. The living area pivots around the kitchen island, positioned carefully to entice our clients' energetic teenaged boys with the aroma of cooking. A sculpted deck runs the length of the garden elevation, facing swimming pool, borrowed landscape and the sun. A first-floor hideout attached to the main bedroom floats above, vertical screening providing prospect and refuge. Neither quite indoors nor out, these spaces act as threshold between both, protected from the rain and flexibly dimensioned for either entertaining or retreat. Galvanised steel continuously wraps the exterior of the extension, distilling the decorative heritage of the original’s walls, roofs and gables into two cohesive volumes. The masculinity in this form-making is balanced by a light-filled, feminine interior. Its material palette of pale timbers and pastel shades are set against a textured white backdrop, with 2400mm high datum adding a human scale to the raked ceilings. Celebrating the tension between these design moves is a dramatic, top-lit 7m high void that slices through the centre of the house. Another type of threshold, the void bridges the old and the new, the private and the public, the formal and the informal. It acts as a clear spatial marker for each of these transitions and a living relic of the home’s long history.