Bathroom Design Ideas with White Walls and Concrete Benchtops

Modern Farmhouse-Upstate
Modern Farmhouse-Upstate
Crisp ArchitectsCrisp Architects
Master bathroom with subway tiles, wood vanity, and concrete countertop. Photographer: Rob Karosis
The Resplendent Bath
The Resplendent Bath
Mantis Design + Build, LLCMantis Design + Build, LLC
To create a luxurious showering experience and as though you were being bathed by rain from the clouds high above, a large 16 inch rain shower was set up inside the skylight well. Photography by Paul Linnebach
Semi-Industrial Chic
Semi-Industrial Chic
Ultimate Kitchens & BathroomsUltimate Kitchens & Bathrooms
The ensuite is a luxurious space offering all the desired facilities. The warm theme of all rooms echoes in the materials used. The vanity was created from Recycled Messmate with a horizontal grain, complemented by the polished concrete bench top. The walk in double shower creates a real impact, with its black framed glass which again echoes with the framing in the mirrors and shelving.
Projet Batignolles : Epuré et modernité en camaïeu de vert et bleu
Projet Batignolles : Epuré et modernité en camaïeu de vert et bleu
Atelier GermainAtelier Germain
La salle d’eau est séparée de la chambre par une porte coulissante vitrée afin de laisser passer la lumière naturelle. L’armoire à pharmacie a été réalisée sur mesure. Ses portes miroir apportent volume et profondeur à l’espace. Afin de se fondre dans le décor et d’optimiser l’agencement, elle a été incrustée dans le doublage du mur. Enfin, la mosaïque irisée bleue Kitkat (Casalux) apporte tout le caractère de cette mini pièce maximisée.
#urbanfarmhouse - Powder Room
#urbanfarmhouse - Powder Room
Laura Fox Interior Design, LLCLaura Fox Interior Design, LLC
Farmhouse style powder room with white shiplap walls and concrete trough sink Photo by Stacy Zarin Goldberg Photography
Beach House at Avoca Beach by Architecture Saville Isaacs
Beach House at Avoca Beach by Architecture Saville Isaacs
Architecture Saville IsaacsArchitecture Saville Isaacs
Internal - Bathroom Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/
White Street Loft
White Street Loft
kimberly peck architectkimberly peck architect
photos by Pedro Marti This large light-filled open loft in the Tribeca neighborhood of New York City was purchased by a growing family to make into their family home. The loft, previously a lighting showroom, had been converted for residential use with the standard amenities but was entirely open and therefore needed to be reconfigured. One of the best attributes of this particular loft is its extremely large windows situated on all four sides due to the locations of neighboring buildings. This unusual condition allowed much of the rear of the space to be divided into 3 bedrooms/3 bathrooms, all of which had ample windows. The kitchen and the utilities were moved to the center of the space as they did not require as much natural lighting, leaving the entire front of the loft as an open dining/living area. The overall space was given a more modern feel while emphasizing it’s industrial character. The original tin ceiling was preserved throughout the loft with all new lighting run in orderly conduit beneath it, much of which is exposed light bulbs. In a play on the ceiling material the main wall opposite the kitchen was clad in unfinished, distressed tin panels creating a focal point in the home. Traditional baseboards and door casings were thrown out in lieu of blackened steel angle throughout the loft. Blackened steel was also used in combination with glass panels to create an enclosure for the office at the end of the main corridor; this allowed the light from the large window in the office to pass though while creating a private yet open space to work. The master suite features a large open bath with a sculptural freestanding tub all clad in a serene beige tile that has the feel of concrete. The kids bath is a fun play of large cobalt blue hexagon tile on the floor and rear wall of the tub juxtaposed with a bright white subway tile on the remaining walls. The kitchen features a long wall of floor to ceiling white and navy cabinetry with an adjacent 15 foot island of which half is a table for casual dining. Other interesting features of the loft are the industrial ladder up to the small elevated play area in the living room, the navy cabinetry and antique mirror clad dining niche, and the wallpapered powder room with antique mirror and blackened steel accessories.
Old City Loft
Old City Loft
Michele Plachter DesignMichele Plachter Design
Photography : Andrea Cipriani Mecchi
The Resplendent Bath
The Resplendent Bath
Mantis Design + Build, LLCMantis Design + Build, LLC
Custom concrete shower shelves were added to the shower wall to bring interest to an otherwise large and vacant surface and provide additional areas for bathing products, candles or decor. Photography by Paul Linnebach

Bathroom Design Ideas with White Walls and Concrete Benchtops

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