Because the IdealMow lawn needs no support from toxic chemicals to maintain its aesthetic, it is a healthy, safe place for pets and kids to play. It's also resilient to their traffic.

Giardino esterno

Our clients hired us to create a landscape for their new acreage that stays true to the native setting. We utilized natural rock, large southern Alberta native trees and plantings, with rock slabs for steps down the walkout sides of the home. The new asphalt driveway will be going in now that the landscaping is complete.

A mixture of hard edges with the river rock and soft accents with the greenery and mulch makes this landscape the best of both worlds.

A naturally beautiful view down the garden in the evening.

Unlike other outdoor fireplaces, this one is made from Volcanic Pumice, sourced from the Hekla Volcano in Iceland. The natural pumice gives this outdoor fireplace all the insulation needed to have a safe and spectacular focal point in any garden. Ideal for large manicured gardens or small city hideaway courtyards. The relatively small footprint also means that this can be placed against any wall in even the tiniest of gardens or yards. Being so well insulated it has been tested for combustable material meaning it has no problem backing onto or sitting on wood or plastic. Having an outdoor fireplace really does change the way that you entertain with friends and family. It really can transform your outdoor area into a useable space all year round. Create a Cosy warm atmosphere and bring everybody together this yea!

The sweeping curve of native grasses leads to the entry. Robert Benson Photography.

David Morello

The problem this Memorial-Houston homeowner faced was that her sumptuous contemporary home, an austere series of interconnected cubes of various sizes constructed from white stucco, black steel and glass, did not have the proper landscaping frame. It was out of scale. Imagine Robert Motherwell's "Black on White" painting without the Museum of Fine Arts-Houston's generous expanse of white walls surrounding it. It would still be magnificent but somehow...off. Intuitively, the homeowner realized this issue and started interviewing landscape designers. After talking to about 15 different designers, she finally went with one, only to be disappointed with the results. From the across-the-street neighbor, she was then introduced to Exterior Worlds and she hired us to correct the newly-created problems and more fully realize her hopes for the grounds. "It's not unusual for us to come in and deal with a mess. Sometimes a homeowner gets overwhelmed with managing everything. Other times it is like this project where the design misses the mark. Regardless, it is really important to listen for what a prospect or client means and not just what they say," says Jeff Halper, owner of Exterior Worlds. Since the sheer size of the house is so dominating, Exterior Worlds' overall job was to bring the garden up to scale to match the house. Likewise, it was important to stretch the house into the landscape, thereby softening some of its severity. The concept we devised entailed creating an interplay between the landscape and the house by astute placement of the black-and-white colors of the house into the yard using different materials and textures. Strategic plantings of greenery increased the interest, density, height and function of the design. First we installed a pathway of crushed white marble around the perimeter of the house, the white of the path in homage to the house’s white facade. At various intervals, 3/8-inch steel-plated metal strips, painted black to echo the bones of the house, were embedded and crisscrossed in the pathway to turn it into a loose maze. Along this metal bunting, we planted succulents whose other-worldly shapes and mild coloration juxtaposed nicely against the hard-edged steel. These plantings included Gulf Coast muhly, a native grass that produces a pink-purple plume when it blooms in the fall. A side benefit to the use of these plants is that they are low maintenance and hardy in Houston’s summertime heat. Next we brought in trees for scale. Without them, the impressive architecture becomes imposing. We placed them along the front at either corner of the house. For the left side, we found a multi-trunk live oak in a field, transported it to the property and placed it in a custom-made square of the crushed marble at a slight distance from the house. On the right side where the house makes a 90-degree alcove, we planted a mature mesquite tree. To finish off the front entry, we fashioned the black steel into large squares and planted grass to create islands of green, or giant lawn stepping pads. We echoed this look in the back off the master suite by turning concrete pads of black-stained concrete into stepping pads. We kept the foundational plantings of Japanese yews which add green, earthy mass, something the stark architecture needs for further balance. We contoured Japanese boxwoods into small spheres to enhance the play between shapes and textures. In the large, white planters at the front entrance, we repeated the plantings of succulents and Gulf Coast muhly to reinforce symmetry. Then we built an additional planter in the back out of the black metal, filled it with the crushed white marble and planted a Texas vitex, another hardy choice that adds a touch of color with its purple blooms. To finish off the landscaping, we needed to address the ravine behind the house. We built a retaining wall to contain erosion. Aesthetically, we crafted it so that the wall has a sharp upper edge, a modern motif right where the landscape meets the land.

The formal rectangular lawn anchors the viewing garden, with colorful planting accents and the pergola as a focal point and sitting area.

A bluestone border delineates the formal lawn, which serves as a transition space within the landscape.

Embracing the organic, wild aesthetic of the Arizona desert, this home offers thoughtful landscape architecture that enhances the native palette without a single irrigation drip line. Landscape Architect: Greey|Pickett Architect: Clint Miller Architect Landscape Contractor: Premier Environments Photography: Steve Thompson