Kitchen with Limestone Benchtops and Light Hardwood Floors Design Ideas
Refine by:
Budget
Sort by:Popular Today
1 - 20 of 933 photos
Item 1 of 3
Source ArchitectsThe existing house was poorly planned after a many renovations. The entry to the house was through a verandah that had previously been enclosed and the cottage had multiple unconnected living spaces with pour natural light and connection to the beautiful established gardens. With some simple internal changes the renovation allowed removal of the enclosed verandah and have the entry realigned to the central part of the house.
Existing living areas where repurposed as sleeping spaces and a new living wing established to house a master bedroom and ensuite upstairs.
The new living wing gives you an immediate sense of balance and calm as soon as you walk into the double-height living area. The new wing area beautifully captures filtered light on the north and west, allowing views of the established garden on all sides to enter the interior spaces.
FINNE ArchitectsThe Magnolia Renovation has been primarily concerned with the design of a new, highly crafted modern kitchen in a traditional home located in the Magnolia neighborhood of Seattle. The kitchen design relies on the creation of a very simple continuous space that is occupied by highly crafted pieces of furniture, cabinets and fittings. Materials such as steel, bronze, bamboo, stained elm, woven cattail, and sea grass are used in juxtaposition, allowing each material to benefit from adjacent contrasts in texture and color.
The existing kitchen and dining room consisted of separate rooms with a dividing wall. This wall was removed to create a long, continuous, east-west space, approximately 34 feet long, with cabinets and counters along each wall. The west end of the space has glass doors and views to the Puget Sound. The east end also has glass doors, leading to a small garden space. In the center of the new kitchen/dining space, we designed two long, custom tables from reclaimed elm planks (20" wide, 2" thick). The first table is a working kitchen island, the second table is the dining table. Both tables have custom blued-steel bases with laser-cut bronze overlay. We also designed custom stools with blued-steel bases and woven cattail rush seats. The lighting of the kitchen consists of 15 small, candle-like fixtures arranged in a random array with custom steel brackets. The cabinets are custom designed, with bleached Alaskan yellow cedar frames and bamboo panels. The counters are a dark limestone with a beautiful stone mosaic backsplash with a bamboo-like pattern. Adjacent to the backsplash is a long horizontal window with a “beargrass” resin panel placed on the interior side of the window. The “beargrass” panel contains actual sea grasses, which are backlit by the window behind the panel.
Photo: Benjamin Benschneider
Ann Lowengart InteriorsThe three-level Mediterranean revival home started as a 1930s summer cottage that expanded downward and upward over time. We used a clean, crisp white wall plaster with bronze hardware throughout the interiors to give the house continuity. A neutral color palette and minimalist furnishings create a sense of calm restraint. Subtle and nuanced textures and variations in tints add visual interest. The stair risers from the living room to the primary suite are hand-painted terra cotta tile in gray and off-white. We used the same tile resource in the kitchen for the island's toe kick.
RoundhouseRoundhouse Urbo and Classic matt lacquer hand painted, luxury bespoke kitchen. Urbo in Farrow & Ball Hardwick White and Classic in Farrow & Ball Downpipe. Worktop in Honed Basaltina Limestone with pencil edge and splashback in stainless steel. Photography by Darren Chung.
Searl Lamaster Howe ArchitectsSoft green viens in the Vermont Danby marble on the backsplash and counters picks up the cabinetry collor. the beams overhead extend from the kitchen, through the dining room, and into the living room beyond.
FINNE ArchitectsA new modern farmhouse has been created in Ipswich, Massachusetts, approximately 30 miles north of Boston. The new house overlooks a rolling landscape of wetlands and marshes, close to Crane Beach in Ipswich. The heart of the house is a freestanding living pavilion, with a soaring roof and an elevated stone terrace. The terrace provides views in all directions to the gentle, coastal landscape.
A cluster of smaller building pieces form the house, similar to farm compounds. The entry is marked by a 3-story tower, consisting of a pair of study spaces on the first two levels, and then a completely glazed viewing space on the top level. The entry itself is a glass space that separates the living pavilion from the bedroom wing. The living pavilion has a beautifully crafted wood roof structure, with exposed Douglas Fir beams and continuous high clerestory windows, which provide abundant natural light and ventilation. The living pavilion has primarily glass walls., with a continuous, elevated stone terrace outside. The roof forms a broad, 6-ft. overhang to provide outdoor space sheltered from sun and rain.
In addition to the viewing tower and the living pavilion, there are two more building pieces. First, the bedroom wing is a simple, 2-story linear volume, with the master bedroom at the view end. Below the master bedroom is a classic New England screened porch, with views in all directions. Second, the existing barn was retained and renovated to become an integral part of the new modern farmhouse compound.
Exterior and interior finishes are straightforward and simple. Exterior siding is either white cedar shingles or white cedar tongue-and-groove siding. Other exterior materials include metal roofing and stone terraces. Interior finishes consist of custom cherry cabinets, Vermont slate counters, quartersawn oak floors, and exposed Douglas fir framing in the living pavilion. The main stair has laser-cut steel railings, with a pattern evocative of the surrounding meadow grasses.
The house was designed to be highly energy-efficient and sustainable. Upon completion, the house was awarded the highest rating (5-Star +) by the Energy Star program. A combination of “active” and “passive” energy conservation strategies have been employed.
On the active side, a series of deep, drilled wells provide a groundsource geothermal heat exchange, reducing energy consumption for heating and cooling. Recently, a 13-kW solar power system with 40 photovoltaic panels has been installed. The solar system will meet over 30% of the electrical demand at the house. Since the back-up mechanical system is electric, the house uses no fossil fuels whatsoever. The garage is pre-wired for an electric car charging station.
In terms of passive strategies, the extensive amount of windows provides abundant natural light and reduces electric demand. Deep roof overhangs and built-in shades are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the concrete subfloor. Radiant floors provide constant heat with thermal mass in the floors. Exterior walls and roofs are insulated 30-40% greater than code requirements. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Ann Lowengart InteriorsThe three-level Mediterranean revival home started as a 1930s summer cottage that expanded downward and upward over time. We used a clean, crisp white wall plaster with bronze hardware throughout the interiors to give the house continuity. A neutral color palette and minimalist furnishings create a sense of calm restraint. Subtle and nuanced textures and variations in tints add visual interest. The stair risers from the living room to the primary suite are hand-painted terra cotta tile in gray and off-white. We used the same tile resource in the kitchen for the island's toe kick.
Kitchen with Limestone Benchtops and Light Hardwood Floors Design Ideas
1