Un appartement familial haussmannien rénové, aménagé et agrandi avec la création d'un espace parental suite à la réunion de deux lots. Les fondamentaux classiques des pièces sont conservés et revisités tout en douceur avec des matériaux naturels et des couleurs apaisantes.

Riqualificazione degli spazi e progetto di un lampadario su disegno che attraversa tutto il corridoio. Accostamento dei colori

Colour pop entry - light grey hardwood floors and graphic black furniture set the tone for this 90's bungalow renovation in Sydney's northern suburbs.

Grass cloth wallpaper, paneled wainscot, a skylight and a beautiful runner adorn landing at the top of the stairs.

Twin Peaks House is a vibrant extension to a grand Edwardian homestead in Kensington. Originally built in 1913 for a wealthy family of butchers, when the surrounding landscape was pasture from horizon to horizon, the homestead endured as its acreage was carved up and subdivided into smaller terrace allotments. Our clients discovered the property decades ago during long walks around their neighbourhood, promising themselves that they would buy it should the opportunity ever arise. Many years later the opportunity did arise, and our clients made the leap. Not long after, they commissioned us to update the home for their family of five. They asked us to replace the pokey rear end of the house, shabbily renovated in the 1980s, with a generous extension that matched the scale of the original home and its voluminous garden. Our design intervention extends the massing of the original gable-roofed house towards the back garden, accommodating kids’ bedrooms, living areas downstairs and main bedroom suite tucked away upstairs gabled volume to the east earns the project its name, duplicating the main roof pitch at a smaller scale and housing dining, kitchen, laundry and informal entry. This arrangement of rooms supports our clients’ busy lifestyles with zones of communal and individual living, places to be together and places to be alone. The living area pivots around the kitchen island, positioned carefully to entice our clients' energetic teenaged boys with the aroma of cooking. A sculpted deck runs the length of the garden elevation, facing swimming pool, borrowed landscape and the sun. A first-floor hideout attached to the main bedroom floats above, vertical screening providing prospect and refuge. Neither quite indoors nor out, these spaces act as threshold between both, protected from the rain and flexibly dimensioned for either entertaining or retreat. Galvanised steel continuously wraps the exterior of the extension, distilling the decorative heritage of the original’s walls, roofs and gables into two cohesive volumes. The masculinity in this form-making is balanced by a light-filled, feminine interior. Its material palette of pale timbers and pastel shades are set against a textured white backdrop, with 2400mm high datum adding a human scale to the raked ceilings. Celebrating the tension between these design moves is a dramatic, top-lit 7m high void that slices through the centre of the house. Another type of threshold, the void bridges the old and the new, the private and the public, the formal and the informal. It acts as a clear spatial marker for each of these transitions and a living relic of the home’s long history.

New Moroccan Villa on the Santa Barbara Riviera, overlooking the Pacific ocean and the city. In this terra cotta and deep blue home, we used natural stone mosaics and glass mosaics, along with custom carved stone columns. Every room is colorful with deep, rich colors. In the master bath we used blue stone mosaics on the groin vaulted ceiling of the shower. All the lighting was designed and made in Marrakesh, as were many furniture pieces. The entry black and white columns are also imported from Morocco. We also designed the carved doors and had them made in Marrakesh. Cabinetry doors we designed were carved in Canada. The carved plaster molding were made especially for us, and all was shipped in a large container (just before covid-19 hit the shipping world!) Thank you to our wonderful craftsman and enthusiastic vendors! Project designed by Maraya Interior Design. From their beautiful resort town of Ojai, they serve clients in Montecito, Hope Ranch, Santa Ynez, Malibu and Calabasas, across the tri-county area of Santa Barbara, Ventura and Los Angeles, south to Hidden Hills and Calabasas. Architecture by Thomas Ochsner in Santa Barbara, CA

Blade walls cut through this beautiful home articulating space like the public private zone between open living/dining/kitchen and the private master wing. Transitional space creates the opportunity for large glass featuring an external sculpture garden that links your eye through the landscape.

Ingresso dell'Appartamento con sistema di boiserie e sistema di specchi.

Twin Peaks House is a vibrant extension to a grand Edwardian homestead in Kensington. Originally built in 1913 for a wealthy family of butchers, when the surrounding landscape was pasture from horizon to horizon, the homestead endured as its acreage was carved up and subdivided into smaller terrace allotments. Our clients discovered the property decades ago during long walks around their neighbourhood, promising themselves that they would buy it should the opportunity ever arise. Many years later the opportunity did arise, and our clients made the leap. Not long after, they commissioned us to update the home for their family of five. They asked us to replace the pokey rear end of the house, shabbily renovated in the 1980s, with a generous extension that matched the scale of the original home and its voluminous garden. Our design intervention extends the massing of the original gable-roofed house towards the back garden, accommodating kids’ bedrooms, living areas downstairs and main bedroom suite tucked away upstairs gabled volume to the east earns the project its name, duplicating the main roof pitch at a smaller scale and housing dining, kitchen, laundry and informal entry. This arrangement of rooms supports our clients’ busy lifestyles with zones of communal and individual living, places to be together and places to be alone. The living area pivots around the kitchen island, positioned carefully to entice our clients' energetic teenaged boys with the aroma of cooking. A sculpted deck runs the length of the garden elevation, facing swimming pool, borrowed landscape and the sun. A first-floor hideout attached to the main bedroom floats above, vertical screening providing prospect and refuge. Neither quite indoors nor out, these spaces act as threshold between both, protected from the rain and flexibly dimensioned for either entertaining or retreat. Galvanised steel continuously wraps the exterior of the extension, distilling the decorative heritage of the original’s walls, roofs and gables into two cohesive volumes. The masculinity in this form-making is balanced by a light-filled, feminine interior. Its material palette of pale timbers and pastel shades are set against a textured white backdrop, with 2400mm high datum adding a human scale to the raked ceilings. Celebrating the tension between these design moves is a dramatic, top-lit 7m high void that slices through the centre of the house. Another type of threshold, the void bridges the old and the new, the private and the public, the formal and the informal. It acts as a clear spatial marker for each of these transitions and a living relic of the home’s long history.

Stunning entrance at @sthcoogeebeachhouse