Martha O'Hara Interiors, Interior Design & Photo Styling | Corey Gaffer Photography Please Note: All “related,” “similar,” and “sponsored” products tagged or listed by Houzz are not actual products pictured. They have not been approved by Martha O’Hara Interiors nor any of the professionals credited. For information about our work, please contact design@oharainteriors.com.

Mollie Vogt-Welch

Please visit my website directly by copying and pasting this link directly into your browser: http://www.berensinteriors.com/ to learn more about this project and how we may work together! A girl's bathroom with eye-catching damask wallpaper and black and white marble. Robert Naik Photography.

A black glass Geberit Monolith toilet lends a sleek style to this masculine powder room.

www.knoetze.co.uk

Adding storage to a tiny bathroom is one of the best ways to hide clutter. It also creates a visually larger, more expansive bathroom. This bathroom vanity features smart drawers and shelving that make use of every square inch in the cabinet. Nothing brightens and expands a small space better than a mirror. This vanity set includes a mirror to add style and also create a bigger bathroom effect. The single/double sink elegant bathroom vanity set has ample storage capacity and high-cost performance which fits perfectly with any bathroom decor. Features: Soft-closing doors and drawers prevent slamming Full-width storage shelf, ideal for towels and accessories Rectangular and practical white ceramic vessel sink Dove-Tailed Drawers Brushed nickel handles/hardware Constructed of high-quality oak wood Rich and durable finish Dripless edge profile

This powder room was designed to be an architecturally isolating space. The rich blue walls and black tile wainscot and floor, highlighted by a cobalt blue single pendant over the sink, create a soothing, quiet atmosphere far away from the world just outside the door. A motion sensor triggers the pendant and a low wattage spotlight over the black commode. Robert M Kieft

Bill Worley

To create the master suite this home owner dreamed of, we moved a few walls, and a lot of doors and windows. Essentially half the house went under construction. Within the same footprint we created a larger master bathroom, walk in closet, and guest room while retaining the same number of bedrooms. The second room became smaller but officially became a bedroom with a closet and more functional layout. What you don’t see in the finished pictures is a new utility room that had to be built downstairs in the garage to service the new plumbing and heating. All those black bathroom fixtures are Kohler and the tile is from Ann Sacks. The stunning grey tile is Andy Fleishman and the grout not only fills in the separations but defines the white design in the tile. This time-intensive process meant the tiles had to be sealed before install and twice after. All the black framed windows are by Anderson Woodright series and have a classic 3 light over 0 light sashes. The doors are true sealer panels with a classic trim, as well as thicker head casings and a top cap. We moved the master bathroom to the side of the house where it could take advantage of the windows. In the master bathroom in addition to the ann sacks tile on the floor, some of the tile was laid out in a way that made it feel like one sheet with almost no space in between. We found more storage in the master by putting it in the knee wall and bench seat. The master shower also has a rain head as well as a regular shower head that can be used separately or together. The second bathroom has a unique tub completely encased in grey quartz stone with a clever mitered edge to minimize grout lines. It also has a larger window to brighten up the bathroom and add some drama.

A minimalist bathroom in Pompton Lakes with black cabinets and white countertops.

A former dairy property, Lune de Sang is now the centre of an ambitious project that is bringing back a pocket of subtropical rainforest to the Byron Bay hinterland. The first seedlings are beginning to form an impressive canopy but it will be another 3 centuries before this slow growth forest reaches maturity. This enduring, multi-generational project demands architecture to match; if not in a continuously functioning capacity, then in the capacity of ancient stone and concrete ruins; witnesses to the early years of this extraordinary project. The project’s latest component, the Pavilion, sits as part of a suite of 5 structures on the Lune de Sang site. These include two working sheds, a guesthouse and a general manager’s residence. While categorically a dwelling too, the Pavilion’s function is distinctly communal in nature. The building is divided into two, very discrete parts: an open, functionally public, local gathering space, and a hidden, intensely private retreat. The communal component of the pavilion has more in common with public architecture than with private dwellings. Its scale walks a fine line between retaining a degree of domestic comfort without feeling oppressively private – you won’t feel awkward waiting on this couch. The pool and accompanying amenities are similarly geared toward visitors and the space has already played host to community and family gatherings. At no point is the connection to the emerging forest interrupted; its only solid wall is a continuation of a stone landscape retaining wall, while floor to ceiling glass brings the forest inside. Physically the building is one structure but the two parts are so distinct that to enter the private retreat one must step outside into the landscape before coming in. Once inside a kitchenette and living space stress the pavilion’s public function. There are no sweeping views of the landscape, instead the glass perimeter looks onto a lush rainforest embankment lending the space a subterranean quality. An exquisitely refined concrete and stone structure provides the thermal mass that keeps the space cool while robust blackbutt joinery partitions the space. The proportions and scale of the retreat are intimate and reveal the refined craftsmanship so critical to ensuring this building capacity to stand the test of centuries. It’s an outcome that demanded an incredibly close partnership between client, architect, engineer, builder and expert craftsmen, each spending months on careful, hands-on iteration. While endurance is a defining feature of the architecture, it is also a key feature to the building’s ecological response to the site. Great care was taken in ensuring a minimised carbon investment and this was bolstered by using locally sourced and recycled materials. All water is collected locally and returned back into the forest ecosystem after use; a level of integration that demanded close partnership with forestry and hydraulics specialists. Between endurance, integration into a forest ecosystem and the careful use of locally sourced materials, Lune de Sang’s Pavilion aspires to be a sustainable project that will serve a family and their local community for generations to come.

Angus McRitchie

http://www.fotografikarts.com/