Hi , I'm not sure if this is the right place to post this , or whether it's even allowed , but a question here on Houzz today got me thinking about a house my parents built . I spent my childhood living there , so it is probably the most 'special' memory for me . The moderators can delete this if its not suitable , and anyone and everyone can add to it . . . . . . . . . . So it was 1973 in rural New Zealand , my parents were farmers and ambitious , they had bought their first farm about 5 years earlier , and had just bought the neighbouring property . They wanted to take on staff , and it was either build them a new house , or one for 'us' . I was just starting at school , and the old wooden farmhouse was nice -- the old slide up windows , wooden floors , nice verandas -- it was fun . They decided we would get the new house , and unbeknown to me then , they must have been mortgaged up to the eyeballs , but they got an architect , chose a nice slightly sloping spot ( the joys of many hectares to choose from -- or maybe the few facing the road with a view too ! ) , and a plan was put in place haha ! Being a sloping section , it was built on 3 split levels . I think that was fairly common then , but this was slightly different -- the top 3 bedrooms , one bathroom , one toilet , and office , had an 8ft ceiling height . The next 2 bedrooms and another bathroom and toilet , and the garages and storage ( which was basically a wing out the back ) had a 9ft stud . Then down 3 or 4 steps , and the lounge , kitchen , dining , washhouse , and family room had an 11 foot stud ! The lounge had a huge ( for the period ) glass window , from memory 9 ft tall and something like 14 ft wide . One piece of glass . Hopefully strenthened glass -- we never broke it in 20 odd years luckily ! With 4 opening windows down one side . Aluminium framed , like every window in the house . So we are talking 1973 , very high ceiling , large glass window . The entire house was in a weird ( but trendy at the time ) chocolate brown brick , but roughcast on the outside with these charcoal big flecks sticking out half an inch or so . And here was where it got more unusual -- the opposite side of the lounge ( opposite the huge window ) was done as a feature wall , in the same brick , inside ! So this huge 11 foot tall brick wall as a feature wall in the lounge ! Strange ? Well -- about 2ft 6" in front of that was another wall , in the same brick , about 2ft 6 tall -- yes , a planter ! The middle 3 foot or so of this planter had a 'ledge' , and our huge 25" TV ( or whatever was huge at the time ) was on this ledge , almost hiding amongst all the leafy plants , in pots , in this planter box ! I guess iconic 70's , just seems a bit naff now . And one weird thing ( knowing what I know now , it makes sense ) -- a long house on a sloping section , built on 3 split levels , but with a flat ceiling , would look weird wouldn't it ? Even with a large feature window , it'd look quite boring ? Umm , no . I didn't know it at the time , but this must be where architects come into their own . The 'rumpus room' ( it would be called a family room these days ) on the left hand end had a ranch slider , with a terrace out the front , and the ( tiled ) roof came 4 or 5 feet out from the front , to cover this terrace . And this room was maybe 20 foot deep , most of the rest of the house 30-35 feet . So this roofline was a foot or so lower , and 3 foot lower at the peak , than the rest . Then was the dining room , with the kitchen behind it . Set back 5 or 6 feet , so quite a deep terrace , with a 6foot square fixed window and the main entrance door . You could just about hold a conference of 30 people on that terrace , out of the rain haha . The kitchen was at the rear , and had windows on the side wall ( as it was quite a bit deeper than the 'rumpus room' ) and one of those glass things with angled glass on top and sides ( bay window ? ) at the rear . This 'section' , and the lounge ( with laundry and a seperate toilet and a sewing room and a hallway , all behind the brick feature wall ) , all had the same roof profile . Then the whole house 'stepped back' 3 foot , as well as 'stepping up' 2 foot , so it had a whole new roof profile . And then the 'top' part stepped up another foot , but slightly strangely , also forward 1 foot . So outside was 4 completely seperate roof profiles -- inside were 3 split levels , but the ceiling was completely flat ! From memory , it was about 2200 square foot ( which was big back then ) , and another 1000 or so garage and storage . I'm not sure if they were joking or not , but Mum and Dad used to say that the garage was put around the back , because if it had been added on the end , people would think we were rich haha ! I think the house was about 90 foot long , the garage would have added another 40 ! And for anyone wanting modern measurements , work it out yourself haha . Whats your story ?

Donna White Interior Design Donna White has run her Interior Design practise from her Auckland home for many years. “Covid-19 and Level 4 lock down in NZ were a shock to me, and the whole world. I knew, in fact, as we all knew, the world was going to change forever. Interior Design for me is about meeting, listening and engaging with my clients. I love the discussions, the banter and slow immersion into their lives, and their homes. I get the best results with face to face communication not only with my clients, but with my suppliers and manufacturers. On the eve of Level 3 lockdown moving into Level 4 the next morning, I had a second meeting with a new client. Prior to confirming the meeting, we tentatively checked with each other on our health and possible contact with Covid-19 carriers. We walked through his home, discussed his brief in more detail, and even ended up at an antique shop in Parnell, Auckland. OMG, the good old days, because the next day and every day since, the restrictions of Level 4 Lockdown have been driven home. What Covid-19 is doing to me, is making me embrace social media, something I have tentatively embraced – have you seen my Instagram? Now I have time and no excuses to adapt the way I operate. Of course, I am not alone in this.I am learning how to handle the Covid-19 and the Level 4 Lockdown impact by talking to fellow creatives. In fact, three of my professional interior design friends and I have thought about how to add value to our clients. We launch a Zoom chat next week on ‘What you can do to improve your living spaces during Lockdown’. I have work to continue with pre-Level 4 Lockdown clients, both existing and brand new. What I am doing is thinking about what they need right now, and finding new ways to deliver from my little bubble. This is exciting, and positive. A looming question is how are we going to attract new business - all of us from Interior Designers to suppliers and manufacturers? Talking, and being kind will help, and E-interior design too.” Designworx Amanda Neill is the lead designer in Designworx, has run a busy Devonport Studio for many years and is now based in the Bay of Plenty, working from her Design Studio there. “The days leading up to lockdown was a race to try to complete as much as we could in amongst the uncertainty of what was to come. Once lockdown hit, there was almost a sigh of relief and a stillness that you just had to go with. Nowhere to be…. No time to be there…. We completed a client presentation over a 2 hour zoom meeting on the 2nd day of lockdown. It wasn’t an entirely new way of working for me as I had done a number of remote projects, but it was a new way of working with NZ clients. Everything then came to an abrupt halt as the industry closed its doors for all but essential projects. The first week was spent sorting out my studio and catching up on all the tasks that had put on the back burner. It has been a time for reflection and planning. The creative process has been flowing and my bubble has allowed me the headspace and time to think about how I can add value during this lockdown period. Working with 3 other design colleagues, we are going to run a series of webinars to help people with their interiors during lockdown and beyond. The key will be adapting to use technology to work within the industry. Visual graphics will be very important to help our clients visualise a project. Like the below example of a project in the Isle of Man that we completed remotely. Cuthbert Interiors Anna Cuthbert is the principle Interior Designer at Cuthbert Interiors a three-person team based in Parnell, Auckland “Currently all working from home, my team and I are continuing to source and specify projects. The hardest thing for us is that a couple of extremely large projects have been pushed out as our teams of builders and tradies are unable to go to site, and other projects are somewhat suspended in mid air. The unknown is a little scary but with technology we have been able to adapt and continue to liaise with each other, clients and suppliers. This confinement has given me time to work on my business, a luxury that I rarely have. It has also allowed me to catch up on technical webinars and learning which is neverending in this industry. I believe that that most important thing I can be doing for my business is connecting with people. As we are all becoming so much more acutely aware of our immediate surroundings, people are thinking about changes and improvements to their homes which they want to implement at the end of this lockdown time.. I’ve been using zoom to meet with clients and suppliers so that projects continue to progress and the economy wheel keeps turning. While our doors cannot physically remain open we are always here on the phone or computer. I will continue to specify NZ manufactured products wherever possible as our borders may take some time to open, however more importantly we have amazingly skilled craftsmen and women in this country and we need to support local businesses.” Michelle Bevin Design Michelle runs her design practise from her home based studio in Karaka “The Covid 19 Lockdown happened suddenly in NZ, and everything felt so surreal. I went from a week of booked colour consultation meetings, to clients cancelling. My new build clients and development work ceased. NZ owned Traillite Motorhomes where I have been the interior designer for the last 8 years temporarily closed the doors. Having the luxury of time I have been able to think about how to improve my business, how I can add value to my services, add value to clients projects, work on my new website, and keep conversations going with existing clients and suppliers. With technology it has been nice to catch up with fellow colleagues, continue my presence on social media, and be constantly inspired by all our local talented craftsman and suppliers. They are going to need our support on the other side of this.

I would like to hear from anyone who has actually had one in their kitchen and how did it perform. I'm talking about the hole in the benchtop where you put your compost waste into and it falls into a bucket underneath. I used one at a hired lodge with an industrial kitchen and really loved it but wondered what it would be like in your kitchen for everyday use. Does it end up getting smelly and is it easy to clean? Also, does other stuff (like cutley) end up down there too... by mistake!?

Is someone there ?