This remodel of an architect’s Seattle bungalow goes beyond simple renovation. It starts with the idea that, once completed, the house should look as if had been built that way originally. At the same time, it recognizes that the way a house was built in 1926 is not for the way we live today. Architectural pop-outs serve as window seats or garden windows. The living room and dinning room have been opened up to create a larger, more flexible space for living and entertaining. The ceiling in the central vestibule was lifted up through the roof and topped with a skylight that provides daylight to the middle of the house. The broken-down garage in the back was transformed into a light-filled office space that the owner-architect refers to as the “studiolo.” Bosworth raised the roof of the stuidiolo by three feet, making the volume more generous, ensuring that light from the north would not be blocked by the neighboring house and trees, and improving the relationship between the studiolo and the house and courtyard.

This 1919 bungalow was lovingly taken care of but just needed a few things to make it complete. The owner, an avid gardener wanted someplace to bring in plants during the winter months. This small addition accomplishes many things in one small footprint. This potting room, just off the dining room, doubles as a mudroom. Design by Meriwether Felt, Photos by Susan Gilmore

Tony Rotundo Photography

Tribute to Greene and Greene Craftsman Style

Walnut cabinets, a patched hardwood floor in existing maple, a black, soapstone countertop, white Kitchen Aid appliances, and a white tile backsplash come together for this warm and inviting kitchen. Photo by David J. Turner

Stacy Zarin-Goldberg

Photography by: David Wakely

Designed with DiFabion Remodeling

Anthony Lindsey Photography

A neutral-colored transitional dining room with a dark wood table and skirted dining chairs.

This remodel of an architect’s Seattle bungalow goes beyond simple renovation. It starts with the idea that, once completed, the house should look as if had been built that way originally. At the same time, it recognizes that the way a house was built in 1926 is not for the way we live today. Architectural pop-outs serve as window seats or garden windows. The living room and dinning room have been opened up to create a larger, more flexible space for living and entertaining. The ceiling in the central vestibule was lifted up through the roof and topped with a skylight that provides daylight to the middle of the house. The broken-down garage in the back was transformed into a light-filled office space that the owner-architect refers to as the “studiolo.” Bosworth raised the roof of the stuidiolo by three feet, making the volume more generous, ensuring that light from the north would not be blocked by the neighboring house and trees, and improving the relationship between the studiolo and the house and courtyard.