Дизайнерский ремонт ванной комнаты в темных тонах

La stanza da bagno ha uno stile allineato al resto dell'abitazione, con rivestimenti in legno e colori neutri. Il rivestimento a mezza parete in piastrelle di ceramica e la vasca freestanding richiamano lo stile rustico di una classica casa in campagna, al fine di rispondere all'obiettivo principale del progetto: non perdere la continuità con il posto.

Die Architektur des sehr behutsam sanierten Geschäftshauses aus dem 19. Jahrhundert sollte sich auch im Badezimmer widerspiegeln. Jedes kleinste Detail wurde mit viel Liebe ausgewählt und auf die Innenarchitektur des Raumes abgestimmt.

Doppelwanne, Acrylwanne, freistehende Badewanne, Vintage Armatur, Tapete

Heated flooring system under the tile, easy to use thermostat

Shortlisted for the prestigious RIBA House of the Year, and winning a RIBA London Award, Sunday Times homes commendation, Manser Medal Shortlisting and NLA nomination the handmade Makers House is a new build detached family home in East London. Having bought the site in 2012, David and Sophie won planning permission, raised finance and built the 2,390 sqft house – by hand as the main contractor ​–​ over the following four years. They set their own brief ​–​ to explore the ideal texture and atmosphere of domestic architecture. This experimental objective was achieved while simultaneously satisfying the constraints of speculative residential development. The house’s asymmetric form is an elegant solution ​– it ​emerged from scrupulous computer analysis of the site’s constraints (proximity to listed buildings; neighbours’ rights to light); it deftly captures key moments of available sunlight while forming apparently regular interior spaces. The pursuit of craftsmanship and tactility is reflected in the house’s rich palette and varied processes of fabrication. The exterior combines roman brickwork with inky pigmented zinc roofing and bleached larch carpentry. Internally, the structural steel and timber work is exposed, and married to a restrained palette of reclaimed industrial materials.

Subsequent additions are covered with living green walls to deemphasize stylistic conflicts imposed on a 1940’s Tudor and become backdrop surrounding a kitchen addition. On the interior, further added architectural inconsistencies are edited away, and the language of the Tudor’s original reclaimed integrity is referenced for the addition. Sympathetic to the home, windows and doors remain untrimmed and stark plaster walls contrast the original black metal windows. Sharp black elements contrast fields of white. With a ceiling pitch matching the existing and chiseled dormers, a stark ceiling hovers over the kitchen space referencing the existing homes plaster walls. Grid members in windows and on saw scored paneled walls and cabinetry mirror the machine age windows as do exposed steel beams. The exaggerated white field is pierced by an equally exaggerated 13 foot black steel tower that references the existing homes steel door and window members. Glass shelves in the tower further the window parallel. Even though it held enough dinner and glassware for eight, its thin members and transparent shelves defy its massive nature, allow light to flow through it and afford the kitchen open views and the feeling of continuous space. The full glass at the end of the kitchen reveres a grouping of 50 year old Hemlocks. At the opposite end, a window close to the peak looks up to a green roof.

Bob Fortner Photography

This modern bathroom got a touch of farmhouse flair thanks to a trio of L-shaped floating shelves constructed by The Olde Mill. The clean lines of the shelves perfectly complement the shiplap paneling. The dark espresso stain stands in stark contrast to the monochromatic walls and plays well with the dark tones in the bathroom tiles. Contracted by Rhett Bourgeois. Space planning by Ourso Designs. Floating Shelves by The Olde Mill. Photos by Collin Richie.

Winner of 2018 NKBA Northern California Chapter Design Competition * Second place Large Bath

Q: Please tell us about your ‘first meeting’ with your floor to be. A: I first purchased CRAFT Zamora Oak for a client in an old farmhouse with high traffic areas. I researched quite a bit. That floor has shown to be extremely durable. I like the fact that it has a satin-matte kind of finish to it, and the hand textured surface, this has helped it still look great.

View of left side of wet room and soaking tub with chrome tub filler. Plenty of natural light fills the space and the room has layers of texture by incorporating wood, tile, glass and patterned wallpaper, which adds visual interest. Jessica Dauray - photography