The main bathroom was recreated in an authentic Californian bungalow style featuring tessellated tiles, subway tiles in a brick pattern with capping tiles, Shaker-style framed mirrored cabinet, pedestal vanity, older-style toilet with timber toilet seat and older-style accessories. The original stained glass window was maintained. The only modern variation was the streamlined glass shower wall.

A deco mood prevails in the master shower room with Carrera marble floor slabs, crackle glaze tiles and vintage sanitaryware. The recessed medicine cabinet with a walnut frame provides a contemporary touch. Photographer: Bruce Hemming

Photo by Noah Darnell © 2013 Houzz

In this 1929 home, we opened the small kitchen doorway into a large curved archway, bringing the dining room and kitchen together. Hand-made Motawi Arts and Crafts backsplash tiles, oak hardwood floors, and quarter-sawn oak cabinets matching the existing millwork create an authentic period look for the kitchen. A new Marvin window and enhanced cellulose insulation make the space more comfortable and energy efficient. In the all new second floor bathroom, the period was maintained with hexagonal floor tile, subway tile wainscot, a clawfoot tub and period-style fixtures. The window is Marvin Ultrex which is impervious to bathroom humidity.

A builder bathroom was transformed by removing an unused tub and replacing it with a crisp white walk-in shower. Mid century lighting, a simple round mirror and new color palette round out the renovation.

This unapologetically sexy powder room is drenched in a rich plumb color (Farrow & Ball 222 Brinjal). It compliments the jazzy Andy Warhol print for Chanel, and the three dimensional Atlas Concorde tile accent wall. The clean look is completed with brushed gold fixtures and minimal elegance. Photo by David Sparks

This was a dated and rough space when we began. The plumbing was leaking and the tub surround was failing. The client wanted a bathroom that complimented the era of the home without going over budget. We tastefully designed the space with an eye on the character of the home and budget. We save the sink and tub from the recycling bin and refinished them both. The floor was refreshed with a good cleaning and some grout touch ups and tile replacement using tiles from under the toilet.

A true spa experience with a view. The shutters are water tolerable and give the client the ability to adjust the view and privacy level.Professional Photos by Joe Helm (JHelm photography)

Brian Mikec

Putra Indrawan

This Mill Valley residence under the redwoods was conceived and designed for a young and growing family. Though technically a remodel, the project was in essence new construction from the ground up, and its clean, traditional detailing and lay-out by Chambers & Chambers offered great opportunities for our talented carpenters to show their stuff. This home features the efficiency and comfort of hydronic floor heating throughout, solid-paneled walls and ceilings, open spaces and cozy reading nooks, expansive bi-folding doors for indoor/ outdoor living, and an attention to detail and durability that is a hallmark of how we build. Photographer: John Merkyl Architect: Barbara Chambers of Chambers + Chambers in Mill Valley

Garage Level Remodel-Sunset District

Twin Peaks House is a vibrant extension to a grand Edwardian homestead in Kensington. Originally built in 1913 for a wealthy family of butchers, when the surrounding landscape was pasture from horizon to horizon, the homestead endured as its acreage was carved up and subdivided into smaller terrace allotments. Our clients discovered the property decades ago during long walks around their neighbourhood, promising themselves that they would buy it should the opportunity ever arise. Many years later the opportunity did arise, and our clients made the leap. Not long after, they commissioned us to update the home for their family of five. They asked us to replace the pokey rear end of the house, shabbily renovated in the 1980s, with a generous extension that matched the scale of the original home and its voluminous garden. Our design intervention extends the massing of the original gable-roofed house towards the back garden, accommodating kids’ bedrooms, living areas downstairs and main bedroom suite tucked away upstairs gabled volume to the east earns the project its name, duplicating the main roof pitch at a smaller scale and housing dining, kitchen, laundry and informal entry. This arrangement of rooms supports our clients’ busy lifestyles with zones of communal and individual living, places to be together and places to be alone. The living area pivots around the kitchen island, positioned carefully to entice our clients' energetic teenaged boys with the aroma of cooking. A sculpted deck runs the length of the garden elevation, facing swimming pool, borrowed landscape and the sun. A first-floor hideout attached to the main bedroom floats above, vertical screening providing prospect and refuge. Neither quite indoors nor out, these spaces act as threshold between both, protected from the rain and flexibly dimensioned for either entertaining or retreat. Galvanised steel continuously wraps the exterior of the extension, distilling the decorative heritage of the original’s walls, roofs and gables into two cohesive volumes. The masculinity in this form-making is balanced by a light-filled, feminine interior. Its material palette of pale timbers and pastel shades are set against a textured white backdrop, with 2400mm high datum adding a human scale to the raked ceilings. Celebrating the tension between these design moves is a dramatic, top-lit 7m high void that slices through the centre of the house. Another type of threshold, the void bridges the old and the new, the private and the public, the formal and the informal. It acts as a clear spatial marker for each of these transitions and a living relic of the home’s long history.