Photo: Sarah Greenman © 2014 Houzz Design: New Leaf Construction

Shelly Harrison Photography

A view into the garden through the round window, known as a 'Marumado'. Also showing a detail view of the George Nakashima inspired dining table.

Natural woods such as red cedar walls in the living room surround the walnut cabinets, and douglas fir sliding doors with rice paper embeded glass is seen beyond one of our custom designed tables made of chestnut and crafted in Japan by Conde House. Photo Credit: John Sutton Photography

Polished concrete floors. Exposed cypress timber beam ceiling. Big Ass Fan. Accordian doors. Indoor/outdoor design. Exposed HVAC duct work. Great room design. LEED Platinum home. Photos by Matt McCorteney.

I love the look of board and batten walls but can't afford the full treatment right now. I scoured pictures on the web and found that some people are doing a faux treatment and it turns out pretty effective. So without hesitation...I decided to jump in. I first painted the top portion a dark green (at first I thought...wow that's really dark. But I love the color now). I installed molding horizontally about 5-1/2' from the floor. I next (with the help of the hubby) ripped a 4' x 8' piece of mdf into 3" strips. I then applied them to the wall with construction adhesive and brad nails. I then caulked and painted everything cottage white semi-gloss to match the existing molding throughout the house. Made new curtains, brought the furniture back in. I think it turned out pretty good!

Rob Karosis, Photographer

Dining area adjacent to kitchen with built in upholstered banquette. Cathy Schwabe Architecture. Photograph by David Wakely.

Featured here is Drum Dining Chair, Cane Chair Abigail, Line Credenza, Karar Vase, Misra Vase, Mango Deco, JH03 Print, JH01 Print, Shaperalito Print, Serious Dreamer Print, Le Chat Chic Print and Blomst Print 6.

Built in banquette dining with wrap around external planter offers wrap around views of the landscape & brings an abundance of natural light into the rear and side extensions.

Formal Dining room, featuring wicker-backed rounded dining chairs as well as a pictograph buffet beneath a beautiful afro-inspired art piece flanked by a spotted table lamp and metal sculptures. Scrolling up to the hero image of this blog post, you were greeted with another view of this stunning formal dining room. The wood dining table is framed by merlot velvet drapery and orange pampas grass in wicker floor vases atop an exquisitely textured area rug. This home exudes a style that truly needs to be seen to be appreciated.

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

As a final touch, we also provided an electric roller blind with matching fascia and fabric to create a truly complete appearance to the room, with a very balanced design to the soft furnishings and over all colour palette. Not only does the roller blind operate almost silently, but it can be grouped to work with the lantern roof blind or just operate on its own using the fully featured app available from Somfy®.

Michela Melotti