This home, influenced by mid-century modern aesthetics, comfortably nestles into its Pacific Northwest site while welcoming the light and reveling in its waterfront views. Photos by: Poppi Photography

Exterior, Longviews Studios Inc. Photographer

Reflections Photography

The connection between old and new with a wall of double glazing. The old house, a quaint, small and cold miner's cottage is in a heritage area of historic Ballarat Central. The new house hidden behind provides warmth, sunlight and space for the family to enjoy.

The identity of the exterior architecture is heavy, grounded, dark, and subtly reflective. The gabled geometries stack and shift to clearly identify he modest, covered entry portal.

The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.

C'est le retour en force de la maison blanche. La résidence Gilbert Poulin a tout de celle-ci: des lignes minimaliste, un décor très épuré et bien sûr l’omniprésence du blanc rappelle le style scandinave.

Die Wohneinheit verteilen sich auf zwei Geschosse Ein schwebendes Blechdach verleiht dem Gebäude einen besonderen Charakter. Die großflächigen Fensterelemente sorgen für eine optimale Belichtung. Ein ausgeklügeltes Beleuchtungskonzept rundet die hochwertige Ausführung ab während die Baukosten bewusst reduziert wurden. Die konstruktiven Details wurden bewusst nicht versteckt und tragen so zur Einzigartigkeit der Gebäude bei. Das Einfamilienhaus ist nach außen mit einer besonderen schwarzen Holzfassade versehen.

Nicolas Baleydier

Little White Cottage - Showing Rear Dormer, board & batten siding

Contemporary home built on an infill lot in downtown Harrisonburg. The goal of saving as many trees as possible led to the creation of a bridge to the front door. This not only allowed for saving trees, but also created a reduction is site development costs.

Проект одного этажного жилого дома площадью 230 кв.м для молодой семьи с одним ребенком Функционально состоит из жилых помещений просторная столовая гостиная, спальня родителей и спальня ребенка. Вспомогательные помещения: кухня, прихожая, гараж, котельная, хозяйственная комната. Дом выполнен в современном стиле с минимальным количеством деталей. Ориентация жилых помещений на южную сторону.

Oxidized metal clad desert modern home in Moab, Utah. Design: cityhomeCOLLECTIVE Architecture: Studio Upwall Builder: Eco Logic Design Build

Rear facade

The view of the back of the house shows how the wings of the house sit side by side. Photographer: Nicolle Kennedy

Photo by : Taito Kusakabe