Nadya Serebryakova

Our designs for these two speculative houses in Noe Valley were inspired by the atrium houses designed in the 50’s for Bay Area developer Joseph Eichler. Entered via bridges from the street, the two houses share a sunken forecourt with stairs down to the lower level. A gull wing roof design and cantilevered elements at the front and rear of the house evoke the spirit of mid-Century modernism. The steeply down-sloping lot allowed us to provide sweeping views of the city from the two upper levels. Tall, skylit master suites at the lowest levels open out onto decks and the garden. Originally designed as mirrored images of each other, the design evolved through the negotiations of the right and left neighbors to respond to their differing needs.

Harrell Remodeling, designer, Gloria Carlson, and Kurt Overholt, as Lead Carpenter

Дизайнер Марина Кутузова Фотограф Сергей Ананьев

Located on a small infill lot in central Austin, this residence was designed to meet the needs of a growing family and an ambitious program. The program had to address challenging city and neighborhood restrictions while maintaining an open floor plan. The exterior materials are employed to define volumes and translate between the defined forms. This vocabulary continues visually inside the home. On this tight lot, it was important to openly connect the main living areas with the exterior, integrating the rear screened-in terrace with the backyard and pool. The Owner's Suite maintains privacy on the quieter corner of the lot. Natural light was an important factor in design. Glazing works in tandem with the deep overhangs to provide ambient lighting and allows for the most pleasing views. Natural materials and light, which were critical to the clients, help define the house to achieve a simplistic, clean demeanor in this historic neighborhood. Photography by Adam Steiner

Stunning kitchen remodel and update by Haven Design and Construction! We painted the island, refrigerator wall, insets of the upper cabinets, and range hood in a satin lacquer tinted to Benjamin Moore's 2133-10 "Onyx, and the perimeter cabinets in Sherwin Williams' SW 7005 "Pure White". Photo by Matthew Niemann

1st Place, National Design Award Winning Kitchen. Remodeling in Warwick, NY. From a dark, un-inspiring kitchen (see before photos), to a bright, white, custom kitchen. Dark wood floors, white carrera marble counters, solid wood island-table and much more. Photos - Ken Lauben

Lynnette Bauer - 360REI

Dustin Peck Photography

Simon Kennedy

Spacecrafting Photography

Our new clients lived in a charming Spanish-style house in the historic Larchmont area of Los Angeles. Their kitchen, which was obviously added later, was devoid of style and desperately needed a makeover. While they wanted the latest in appliances they did want their new kitchen to go with the style of their house. The en trend choices of patterned floor tile and blue cabinets were the catalysts for pulling the whole look together.

Collaborating with Stern McCafferty, Artaic fabricated this custom mosaic using an image of their daughter during vacation. The minimal design is refreshingly modern, and the abundant sunlight works perfectly with the mosaic backsplash, lighting up the glass tile to make the swimmer sparkle. Photograph by Eric Roth.

Martha O'Hara Interiors, Furnishings & Photo Styling | John Kraemer & Sons, Builder | Charlie and Co Design, Architect | Corey Gaffer Photography Please Note: All “related,” “similar,” and “sponsored” products tagged or listed by Houzz are not actual products pictured. They have not been approved by Martha O’Hara Interiors nor any of the professionals credited. For information about our work, please contact design@oharainteriors.com.

Our brief was to create a calm, modern country kitchen that avoided cliches - and to intrinsically link to the garden. A weekend escape for a busy family who come down to escape the city, to enjoy their art collection, garden and cook together. The design springs from my neuroscience research and is based on appealing to our hard wired needs, our fundamental instincts - sociability, easy movement, art, comfort, hearth, smells, readiness for visitors, view of outdoors and a place to eat. The key design innovation was the use of soft geometry, not so much in the planning but in the three dimensionality of the furniture which grows out of the floor in an organic way. The soft geometry is in the profile of the pieces, not in their footprint. The users can stroke the furniture, lie against it and feel its softness, all of which helps the visitors to kitchen linger and chat. The fireplace is located in the middle between the cooking zone and the garden. There is plenty of room to draw up a chair and just sit around. The fold-out doors let the landscape into the space in a generous way, especially on summer days when the weather makes the indoors and outdoors come together. The sight lines from the main cooking and preparation island offer views of the garden throughout the seasons, as well as people coming into the room and those seating at the table - so it becomes a command position or what we call the sweet spot. This often results in there being a family competition to do the cooking. The woods are Canadian Maple, Australian rosewood and Eucalyptus. All appliances are Gaggenau and Fisher and Paykel.