Grey Kitchen Design Ideas
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First Impressions KitchensConstructed from Ash and painted in a satin finish, this Baystone shaker in-frame is a range full of character and charm.
The use of ‘Calico’ and ‘Mineral’ units make this kitchen feel light and airy.
Bespoke colours used in images: Calico & Mineral.
See this kitchen on our website http://firstimpressionskitchens.co.uk/bespoke/baystone/
RoundhouseRoundhouse Classic matt lacquer bespoke kitchen in Little Green BBC 50 N 05 with island in Little Green BBC 24 D 05, Bianco Eclipsia quartz wall cladding. Work surfaces, on island; Bianco Eclipsia quartz with matching downstand, bar area; matt sanded stainless steel, island table worktop Spekva Bavarian Wholestave. Bar area; Bronze mirror splashback. Photography by Darren Chung.
Susie Hammond DesignBespoke in-frame kitchen painted in Farrow and Ball Blue Grey 91 a beautiful blue,grey colour chosen to compliment the Gazinni Space Green tiles. A faux chimney breast was constructed around the Aga with a chunky shelf to create a more traditional kitchen style
Lynn Gaffney Architect, PLLCKitchen open to Dining and Living with high polycarbonate panels and sliding doors towards meadow allow for a full day of natural light. Large photo shows mudroom door to right of refrigerator with access from entry (foyer).
Cabinets: custom maple with icestone counters (www.icestone.biz).
Floor: polished concrete with local bluestone aggregate. Wood wall: reclaimed “mushroom” wood (cypress planks from PA mushroom barns (sourced through www.antiqueandvintagewoods.com).
Fran Kerzner- DESIGN SYNTHESISOur new clients lived in a charming Spanish-style house in the historic Larchmont area of Los Angeles. Their kitchen, which was obviously added later, was devoid of style and desperately needed a makeover. While they wanted the latest in appliances they did want their new kitchen to go with the style of their house. The en trend choices of patterned floor tile and blue cabinets were the catalysts for pulling the whole look together.
Drury DesignThis remodel was designed to celebrate the original use of the structure, focusing on a 1930’s automobile theme. The design features ample storage without overbearing wall cabinets and also, vintage looking appliances. The homeowner wanted to remove the soffit and rework the supply and return air to better balance the temperature in the space. To do so, the entire space was reinsulated with closed cell insulation to provide the best insulation for our cold winters and hot summers.
The homeowner opted for a custom artisan hood paired with metal open shelves to tie into the industrial era of the original space from the 1930s. The Matte Black with Bronze accents paired with vintage hardware on the range also picks up on the details of the Classic cars once parked in this coach house. The silkscreen marble tiles appear to be wallpaper yet is both heat resistant and effective for these aspiring chefs
The enlarged island now can seat four and houses a larger sink with trash bins that open with a tap of the knee. As per the client’s request, the refrigerator now blends into the cabinetry appearing more like the tall cabinets on the south wall than an appliance.
The new kitchen is not only stunning but practical as it has double the storage or the old kitchen without lining the room with cabinetry.
Anders Lasater ArchitectsA modern and transitional beach cottage, filled with light and smiles. Perfect for easy family living, California style. Architecture by Anders Lasater Architects. Interior Design by Exotica Design Group. Photos by Jeri Koegel
CHROFIElegant and minimalist kitchen in classic marble and soft dark tones.
The Balmoral House is located within the lower north-shore suburb of Balmoral. The site presents many difficulties being wedged shaped, on the low side of the street, hemmed in by two substantial existing houses and with just half the land area of its neighbours. Where previously the site would have enjoyed the benefits of a sunny rear yard beyond the rear building alignment, this is no longer the case with the yard having been sold-off to the neighbours.
Our design process has been about finding amenity where on first appearance there appears to be little.
The design stems from the first key observation, that the view to Middle Harbour is better from the lower ground level due to the height of the canopy of a nearby angophora that impedes views from the first floor level. Placing the living areas on the lower ground level allowed us to exploit setback controls to build closer to the rear boundary where oblique views to the key local features of Balmoral Beach and Rocky Point Island are best.
This strategy also provided the opportunity to extend these spaces into gardens and terraces to the limits of the site, maximising the sense of space of the 'living domain'. Every part of the site is utilised to create an array of connected interior and exterior spaces
The planning then became about ordering these living volumes and garden spaces to maximise access to view and sunlight and to structure these to accommodate an array of social situations for our Client’s young family. At first floor level, the garage and bedrooms are composed in a linear block perpendicular to the street along the south-western to enable glimpses of district views from the street as a gesture to the public realm. Critical to the success of the house is the journey from the street down to the living areas and vice versa. A series of stairways break up the journey while the main glazed central stair is the centrepiece to the house as a light-filled piece of sculpture that hangs above a reflecting pond with pool beyond.
The architecture works as a series of stacked interconnected volumes that carefully manoeuvre down the site, wrapping around to establish a secluded light-filled courtyard and terrace area on the north-eastern side. The expression is 'minimalist modern' to avoid visually complicating an already dense set of circumstances. Warm natural materials including off-form concrete, neutral bricks and blackbutt timber imbue the house with a calm quality whilst floor to ceiling glazing and large pivot and stacking doors create light-filled interiors, bringing the garden inside.
In the end the design reverses the obvious strategy of an elevated living space with balcony facing the view. Rather, the outcome is a grounded compact family home sculpted around daylight, views to Balmoral and intertwined living and garden spaces that satisfy the social needs of a growing young family.
Photo Credit: Katherine Lu
Grey Kitchen Design Ideas
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