- Accent colors /cabinet finishes: Sherwin Williams Laurel woods kitchen cabinets, Deep River, Benjamin Moore for the primary bath built in and trim.

photographed by VJ Arizpe, designers at Design House in Houston.

Photo credit: Nolan Painting Interior Design: Raindrum Design

Interior Design by Martha O'Hara Interiors; Build by REFINED, LLC; Photography by Troy Thies Photography; Styling by Shannon Gale

Photo Credit: Pawel Dmytrow

A fantastic Persian rug from Blue Parakeet Rugs brings the whole color scheme together. Vintage touches include the Wedgewood stove, the pendant light over the sink, the red bakelite clock, the vintage footstool ( a Rose Bowl find) and my collection of early California Pottery.

A young family moving from NYC tackled a makeover of their young colonial revival home to make it feel more personal. The kitchen area was quite spacious but needed a facelift and a banquette for breakfast. Painted cabinetry matched to Benjamin Moore’s Light Pewter is balanced by Benjamin Moore Ocean Floor on the island. Mixed metals on the lighting by Allied Maker, faucets and hardware and custom tile by Pratt and Larson make the space feel organic and personal. Photos Adam Macchia. For more information, you may visit our website at www.studiodearborn.com or email us at info@studiodearborn.com.

The kitchen in this Mid Century Modern home is a true showstopper. The designer expanded the original kitchen footprint and doubled the kitchen in size. The walnut dividing wall and walnut cabinets are hallmarks of the original mid century design, while a mix of deep blue cabinets provide a more modern punch. The triangle shape is repeated throughout the kitchen in the backs of the counter stools, the ends of the waterfall island, the light fixtures, the clerestory windows, and the walnut dividing wall.

Vaulted ceilings are supported by angled windows which open up the home to light. In order to cut down on the number of installed "can" lights, pendant lights were strung across the kitchen from wall to wall to provide ambient lighting.

Drawing design inspiration from the gorgeous gray stained cabinetry, we designed the rest of the home to reflect the industrial modern farmhouse vibe that came from these materials and finishes.

Interior - Kitchen Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

High Ceilings and Tall Cabinetry. Water fall Counters in Marble.

Nick Smith

photo: garey gomez

Design: JL Interior Design; Photos: Thomas Kuoh