Large Contemporary Exterior Design Ideas
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Dick Clark + AssociatesNestled in the hill country along Redbud Trail, this home sits on top of a ridge and is defined by its views. The drop-off in the sloping terrain is enhanced by a low-slung building form, creating its own drama through expressive angles in the living room and each bedroom as they turn to face the landscape. Deep overhangs follow the perimeter of the house to create shade and shelter along the outdoor spaces.
Photography by Paul Bardagjy
Paula Ables InteriorsHill Country Contemporary House | Exterior | Paula Ables Interiors | Heated pool and spa with electric cover to protect from the fall out of nearby trees | Natural stone | Mixed materials | Photo by Coles Hairston | Architecture by James D. LaRue Architects
FINNE ArchitectsThe Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
Menendez Architects PCThe exposed steel lintels express the structural support of the stone veneer. Many of the man-made materials (steel, aluminum, roofing) are the same color and serve to contrast against the natural materials of wood and stone.
Thomas Roszak Architecture, LLCPhotography-Hedrich Blessing
Glass House:
The design objective was to build a house for my wife and three kids, looking forward in terms of how people live today. To experiment with transparency and reflectivity, removing borders and edges from outside to inside the house, and to really depict “flowing and endless space”. To construct a house that is smart and efficient in terms of construction and energy, both in terms of the building and the user. To tell a story of how the house is built in terms of the constructability, structure and enclosure, with the nod to Japanese wood construction in the method in which the concrete beams support the steel beams; and in terms of how the entire house is enveloped in glass as if it was poured over the bones to make it skin tight. To engineer the house to be a smart house that not only looks modern, but acts modern; every aspect of user control is simplified to a digital touch button, whether lights, shades/blinds, HVAC, communication/audio/video, or security. To develop a planning module based on a 16 foot square room size and a 8 foot wide connector called an interstitial space for hallways, bathrooms, stairs and mechanical, which keeps the rooms pure and uncluttered. The base of the interstitial spaces also become skylights for the basement gallery.
This house is all about flexibility; the family room, was a nursery when the kids were infants, is a craft and media room now, and will be a family room when the time is right. Our rooms are all based on a 16’x16’ (4.8mx4.8m) module, so a bedroom, a kitchen, and a dining room are the same size and functions can easily change; only the furniture and the attitude needs to change.
The house is 5,500 SF (550 SM)of livable space, plus garage and basement gallery for a total of 8200 SF (820 SM). The mathematical grid of the house in the x, y and z axis also extends into the layout of the trees and hardscapes, all centered on a suburban one-acre lot.
Large Contemporary Exterior Design Ideas
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