Brick and Cast Stone Exterior

Architect: http://www.imby3.com Zelda Meyburgh Photography

Laurie Black

The historic restoration of this First Period Ipswich, Massachusetts home (c. 1686) was an eighteen-month project that combined exterior and interior architectural work to preserve and revitalize this beautiful home. Structurally, work included restoring the summer beam, straightening the timber frame, and adding a lean-to section. The living space was expanded with the addition of a spacious gourmet kitchen featuring countertops made of reclaimed barn wood. As is always the case with our historic renovations, we took special care to maintain the beauty and integrity of the historic elements while bringing in the comfort and convenience of modern amenities. We were even able to uncover and restore much of the original fabric of the house (the chimney, fireplaces, paneling, trim, doors, hinges, etc.), which had been hidden for years under a renovation dating back to 1746. Winner, 2012 Mary P. Conley Award for historic home restoration and preservation You can read more about this restoration in the Boston Globe article by Regina Cole, “A First Period home gets a second life.” http://www.bostonglobe.com/magazine/2013/10/26/couple-rebuild-their-century-home-ipswich/r2yXE5yiKWYcamoFGmKVyL/story.html Photo Credit: Eric Roth

Architect: Don Nulty

All images Copyright Mike Healey Productions, Inc.

The design of this home was driven by the owners’ desire for a three-bedroom waterfront home that showcased the spectacular views and park-like setting. As nature lovers, they wanted their home to be organic, minimize any environmental impact on the sensitive site and embrace nature. This unique home is sited on a high ridge with a 45° slope to the water on the right and a deep ravine on the left. The five-acre site is completely wooded and tree preservation was a major emphasis. Very few trees were removed and special care was taken to protect the trees and environment throughout the project. To further minimize disturbance, grades were not changed and the home was designed to take full advantage of the site’s natural topography. Oak from the home site was re-purposed for the mantle, powder room counter and select furniture. The visually powerful twin pavilions were born from the need for level ground and parking on an otherwise challenging site. Fill dirt excavated from the main home provided the foundation. All structures are anchored with a natural stone base and exterior materials include timber framing, fir ceilings, shingle siding, a partial metal roof and corten steel walls. Stone, wood, metal and glass transition the exterior to the interior and large wood windows flood the home with light and showcase the setting. Interior finishes include reclaimed heart pine floors, Douglas fir trim, dry-stacked stone, rustic cherry cabinets and soapstone counters. Exterior spaces include a timber-framed porch, stone patio with fire pit and commanding views of the Occoquan reservoir. A second porch overlooks the ravine and a breezeway connects the garage to the home. Numerous energy-saving features have been incorporated, including LED lighting, on-demand gas water heating and special insulation. Smart technology helps manage and control the entire house. Greg Hadley Photography

Fotografía: masfotogenica fotografia

Scott Bergmann Photography | A turn in the drive reveals the low slung arched timber entry canopy, supported by large fieldstone piers and a long stone wall lining the length of the house. This entry acts as a portal through the stone wall to the open structure beyond, creating a welcoming and dramatic sense of arrival.

Front entry and side elevation. Traditional stucco with stone veneer columns.

Bluestone patio with pergola, deck and outdoor stone fireplace.

The Ford-Farlice-Rubio House features straw bale walls, traditional clay and lime plasters with artisan tile inlays, a locally-harvested and milled timber frame, and a super-insulated envelope using densepack cellulose. Photos by Kelly Griffith of Closed Circle Photography