Heta Scanline 100. @Orion Heating - Woodburning Stoves and Gas fires in Essex. Exclusive fireplace showroom for top European brands. The super widescreen window offers views of the fire from every part of a large room. Add to that the rotating base and this fire can turn towards a dining table or sofa depending on how you choose to use the space. Amazingly controllable from 5 to 15 kW output, so great for larger rooms.

box+void

川添純一郎建築設計事務所

コンクリート打ち放しの壁がLDKに立ち上がり、杉のフローリングとあわせ、素材感を強く出した空間としています。 photo：玉森潤一

The Loft House

Mullan Lighting

This beautiful loft living space is quaint in style. The wood paneled walls offer a warm and inviting haven with the support from the wood burner stove. With a cosy grey sofa that over looks the greenery is an ideal setting for movie nights! The vintage cottage interior is illuminated through soft lighting through a simple, exposed bulb style wall lights. The Kigoma wall light is a modern wall light that features a simple, curved flat brass shade. The Kigoma wall light is ultra-modern with its L-shaped arm that attaches the lamp holder and shade to a simple, circular brass wall bracket. This interior was designed by Annabel Grimshaw.

Kidston Rd Home

Richbuilt Homes Ltd

Don Weixl

Rénovation pièce de vie

Sensitiv'

Wombat House

Richard Cole Architecture

A new house in Wombat, near Young in regional NSW, utilises a simple linear plan to respond to the site. Facing due north and using a palette of robust, economical materials, the building is carefully assembled to accommodate a young family. Modest in size and budget, this building celebrates its place and the horizontality of the landscape.

Restored Town House

DJB Photography

Damian James Bramley, DJB Photography

Somerset

Clearcut Construction, Inc.

Our clients mixed the old with the new in this space! They brought several pieces with them to incorporate including this stunning mid century wall shelf! Painting the existing tongue in groove wall paneling added texture and warmth. The new items including the custom fireplace built-ins are an awesome finishing touch!

Chris Snook

Kangaroo Valley Retreat, 2015

Utz-Sanby Architects

Marian Riabic

Marshall House

Paul Cashin Architects

Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.

農村の平屋カフェ(内観)

ＨＯＵＳＥ＆ＨＯＵＳＥ一級建築士事務所

北海道足寄郡足寄町に立つ農業法人(足寄町のひだまりファームさん)所有の施設になります。地域材であるカラマツ無垢材を構造材に、意匠材にはタモ無垢材を併用することで、カラマツの素朴さとタモ材の上品さを持った居心地の良い空間を目指しています。また、この物件では、椅子づくりワークショップや、螺湾フキを使った蝦夷和紙づくりワークショップなどを開催し、職人さんとオーナーさんを結ぶことで、より建物に愛着をもってもらえるような体験も企画しました。店舗になるため、周囲への事前の周知や知名度の向上などは、よりよいファンづくりにも貢献します。施工には、木造建築を得意とする足寄町の木村建設さまをはじめ、製材は瀬上製材所、家具製作は札幌の家具デザインユニット６２１さん、壁材のフキ和紙製作は蝦夷和紙工房紙びよりさん、煉瓦は江別市の米澤煉瓦さんなど、北海道の本物志向の職人さんと顔の見える関係をつくることで建物の質を高めています。今回の物件は飲食スペースを併設していますので、実際にご利用できます。また、建築面積のサイズが２５坪前後と、住宅のサイズに近いものになっております。地産地消の家づくりや店舗づくりにご興味ある方や、ＨＯＵＳＥ＆ＨＯＵＳＥ一級建築士事務所をお考えの方は、是非一度体験していただけますと、私たちの提案する空間を体感していただけると思います。

Guesthouse Nýp

Studio Bua

The Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops. The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space. The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town. The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months. Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay. Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather. In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through. The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.

Floor to Ceiling Modern Concrete Fireplace Surround

MODE CONCRETE

Photo by MODE CONCRETE

House Refurbishment, Lounge & Music Room - Crouch End

MALT

Orange Slice chair and footstool, micro concrete chimney breast with inset wood burning fireplace and bespoke joinery for music. Velvet and walnut sofa, vintage Pieff chairs reupholstered in distressed leather, white oiled floors.

Indian Hill Private Residence

John Senhauser Architects

Perched atop a wooded ridge, this residence derives itself and emerges from its site – inevitably grounded but exceeding its limits to engage with the trees beyond. The family spaces of the first floor loosely occupy the free plan while above, explicit spaces are contained in distinct volumes. Four vertical “walls of light” separate these private spaces while illuminating the floors below. Actively embracing the sky, these shafts become the locus of ornament conceived as a transparent and translucent lining, accessing light while affording silhouetted privacy. As the shafts move towards the interior of the house, they carve away the second floor plate to form ‘L’ and ‘T’ shaped voids. Depending on the specific location in plan, these larger voids interlock with voids at the first level to create double-height spaces or to contain vertical circulation. When the upper level circulatory spine encounters a slot or void, the floor material changes from concrete to laminated glass. This material change is not only a signifier, but also a functional means of allowing light to penetrate the lower levels. Light, then, can filter through the walkway at the slot locations and also around it since the spine “floats” between flanking walls. By blurring the distinctions between familiar oppositions – inside/ outside, front/ rear, massive/ light – the resultant assemblage dissolves traditional boundaries of habit.

白子の家

野口修一／野口修アーキテクツアトリエ

大きな木製サッシには障子を入れて冷気を防いでいます。ロフトも同じ空間に設け、遊びや趣味の空間としています。それと同時にロフトに設けた窓から暖まった風を抜き通風のための役割も持たせています。撮影　小泉一斉

Living Room Design Photos with a Wood Stove and a Concrete Fireplace Surround

A living room, often referred to as a lounge room in Australia and New Zealand, is the hub of the home. If you only have one living room in the house, it’s likely to serve multiple purposes: be it a place to watch TV, play games, spend quality time with family or hang out with friends. If you have the luxury of two living areas, one is usually a formal living room or lounge room, reserved for reading, relaxing and entertaining. A successful living room design is inviting, has enough seating for the whole clan – a comfortable couch is a must – and encourages conversation. Browse photos on Houzz for living room layouts, furniture and decor, and strike up a conversation with the interior designers or architects of your favourite picks. For even more living room ideas, check out the Stories section on Houzz.

Which living room layouts will work best for you?

Every living area will have design challenges. A long, narrow lounge room, for example, risks looking like a hallway if furniture is lined up against the walls. Instead, opt for small furniture items, like a cosy two-seater couch, and create various focal points throughout the space. In square living rooms, a symmetrical layout encourages a formal setting. Place seating on either side of the room, with a focal point in the middle to pull the room together. For a truly intimate vibe, replace your couch with some occasional chairs positioned around a coffee table or ottoman. This will make the main focus conversation. An open-plan home – one where the lines are blurred between kitchen, dining and living – may require a layout that focuses on definition. You’ll want to make sure furniture doesn’t block the flow between spaces, and instead use something like an area rug to create zones.

How can you decorate your living room?

The living room can be a place in which to show off your personality, but if you want a timeless living room scheme, stick to neutral walls, couches and ottomans. Colour can be added through accessories, and is a lot more interchangeable! Rugs, cushions and throws are great for adding colour, while mirrors, lamps and ceiling lights will set the mood. Make your living room unique by including family heirlooms and photos. For a polished look, try creating a coffee table vignette – you could use books as pedestals or group items together on a tray. Try adding a vase, a mixture of round and rectangular objects and some books.

What are some small living room ideas?

Small living room designs can be tricky to work with, but aren’t doomed to fail. Often, you just have to get creative with furniture. An open-back chaise can create a sense of spaciousness, while small side tables paired together can substitute a coffee table. Even better, an ottoman can be used as a footrest, coffee table or extra seating. Big furniture items like the couch are best kept in light colours, and if there’s room for a coffee table, a glass-top one is best. If you have two spaces in one – perhaps your living room sits in front of a single-wall kitchen – make sure they are connected by decor, colour and style. For definition, just add area rugs, or use your couch as a dividing wall. It’s worth having a few furniture pieces, whether a bookshelf, couch or entertainment unit, in the same colour as the walls, too, so they blend into the room and visually expand the space.

Is open-plan living for you?

Today’s homes often embrace open-plan living, whereby the living room runs off the kitchen and/or dining areas. Open-plan living allows greater functionality, but can risk creating a vast, soulless space if not done right. To avoid a cavernous feel in an open-plan design, define areas with furniture, rugs and lighting, or consider using a wall divider. Also be sure to keep flooring, lighting and materials consistent throughout, for cohesiveness. Noise may be an issue – someone banging pots and pans while you’re watching TV, for example – so include lots of soft furnishings, such as rugs, curtains and couches to help absorb the noise. You will also need to factor in plenty of storage, so mess is kept at bay.