The Axis H1600XXL is Australia's largest inbuilt wood fireplace. Thanks to the team at Swell Building Group, this stunning unit was included in the design of Lo Laire, located in Merricks, Victoria! A stunning unit, bound to make a designer statement and keep you warm through those chilly Peninsula winters!

This complex build is underpinned by the use of detailed off-form concrete forms, exotic internal and external finishes, copper cladding and roofing, painted steel windows, bespoke joinery, traditional venetian render and highly detailed steel elements. The detailing and craftsmanship is second-to-none, with the home displaying sympathy for its surroundings; evolving from its inception to creation.

We were commissioned to create a contemporary single-storey dwelling with four bedrooms, three main living spaces, gym and enough car spaces for up to 8 vehicles/workshop. Due to the slope of the land the 8 vehicle garage/workshop was placed in a basement level which also contained a bathroom and internal lift shaft for transporting groceries and luggage. The owners had a lovely northerly aspect to the front of home and their preference was to have warm bedrooms in winter and cooler living spaces in summer. So the bedrooms were placed at the front of the house being true north and the livings areas in the southern space. All living spaces have east and west glazing to achieve some sun in winter. Being on a 3 acre parcel of land and being surrounded by acreage properties, the rear of the home had magical vista views especially to the east and across the pastured fields and it was imperative to take in these wonderful views and outlook. We were very fortunate the owners provided complete freedom in the design, including the exterior finish. We had previously worked with the owners on their first home in Dural which gave them complete trust in our design ability to take this home. They also hired the services of a interior designer to complete the internal spaces selection of lighting and furniture. The owners were truly a pleasure to design for, they knew exactly what they wanted and made my design process very smooth. Hornsby Council approved the application within 8 weeks with no neighbor objections. The project manager was as passionate about the outcome as I was and made the building process uncomplicated and headache free.

Weather House is a bespoke home for a young, nature-loving family on a quintessentially compact Northcote block. Our clients Claire and Brent cherished the character of their century-old worker's cottage but required more considered space and flexibility in their home. Claire and Brent are camping enthusiasts, and in response their house is a love letter to the outdoors: a rich, durable environment infused with the grounded ambience of being in nature. From the street, the dark cladding of the sensitive rear extension echoes the existing cottage!s roofline, becoming a subtle shadow of the original house in both form and tone. As you move through the home, the double-height extension invites the climate and native landscaping inside at every turn. The light-bathed lounge, dining room and kitchen are anchored around, and seamlessly connected to, a versatile outdoor living area. A double-sided fireplace embedded into the house’s rear wall brings warmth and ambience to the lounge, and inspires a campfire atmosphere in the back yard. Championing tactility and durability, the material palette features polished concrete floors, blackbutt timber joinery and concrete brick walls. Peach and sage tones are employed as accents throughout the lower level, and amplified upstairs where sage forms the tonal base for the moody main bedroom. An adjacent private deck creates an additional tether to the outdoors, and houses planters and trellises that will decorate the home’s exterior with greenery. From the tactile and textured finishes of the interior to the surrounding Australian native garden that you just want to touch, the house encapsulates the feeling of being part of the outdoors; like Claire and Brent are camping at home. It is a tribute to Mother Nature, Weather House’s muse.

Living room makes the most of the light and space and colours relate to charred black timber cladding

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Kimberley Bryan

Modern family loft in Boston’s South End. Open living area includes a custom fireplace with warm stone texture paired with functional seamless wall cabinets for clutter free storage. Photos by Eric Roth. Construction by Ralph S. Osmond Company. Green architecture by ZeroEnergy Design. http://www.zeroenergy.com

Photo by Roehner + Ryan

The living room has walnut built-in cabinets housing home theater equipment over a border of black river rock which turns into a black granite plinth under the fireplace which is rimmed with luminescent tile. Photo Credit: John Sutton Photography

Living room connection to outdoor patio

Polished concrete floors and expansive floor to ceiling joinery frames the interior of this generous lounge room. The mud room off the entry can be seen in the distance, usually concealed behind sliding doors.

Interior - Living Room and Dining Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

© Karl Neumann Photography | Martel Construction

Photographer: Spacecrafting

Sam Martin - 4 Walls Media