Designer: Amy Coslet, ASID/NICDQ Photograher: Amber Frederiksen - Frederiksen Photography

Im Gästebad ist ebenfalls ein Bewegungsmelder installiert, so geht automatisch das Licht an und Musik beginnt zu spielen. Foto: Ulrich Beuttenmüller für Gira

Custom designed dragonfly sinks stoppers.

Justin Alexander

progettazione della zona bagno con dettagli su misura, mobile lavabo appositamente disegnato e progettato, realizzato su misura, piatto doccia in teak con pareti doccia in resina spatolata idrorepellente.

A custom copper sink and benchtop create a unique feature in this powder room. Black mosaic tiles contrast well with the copper and frames the mirror.

Hall bath medicine cabinet is concealed behind wall mirror. Bathroom outlet is inside medicine cabinet so toothbrushes can charge out of sight! Custom cabinet with heavy gage copper top. Drop in Kohler sink and faucet. Restoration Hardware sconces and towel bars. photo: Terrell Lozada

Michael Mahovlich

Bathroom of the New house construction in Studio City which included the installation of bathroom wall tiles, bathroom mirror, bathroom countertop, bathroom sink and faucet, bathtub, shower door, bathroom toilet, bathroom door and bathroom flooring.

Ryan Jacques

Meredith Randolph

Hood House is a playful protector that respects the heritage character of Carlton North whilst celebrating purposeful change. It is a luxurious yet compact and hyper-functional home defined by an exploration of contrast: it is ornamental and restrained, subdued and lively, stately and casual, compartmental and open. For us, it is also a project with an unusual history. This dual-natured renovation evolved through the ownership of two separate clients. Originally intended to accommodate the needs of a young family of four, we shifted gears at the eleventh hour and adapted a thoroughly resolved design solution to the needs of only two. From a young, nuclear family to a blended adult one, our design solution was put to a test of flexibility. The result is a subtle renovation almost invisible from the street yet dramatic in its expressive qualities. An oblique view from the northwest reveals the playful zigzag of the new roof, the rippling metal hood. This is a form-making exercise that connects old to new as well as establishing spatial drama in what might otherwise have been utilitarian rooms upstairs. A simple palette of Australian hardwood timbers and white surfaces are complimented by tactile splashes of brass and rich moments of colour that reveal themselves from behind closed doors. Our internal joke is that Hood House is like Lazarus, risen from the ashes. We’re grateful that almost six years of hard work have culminated in this beautiful, protective and playful house, and so pleased that Glenda and Alistair get to call it home.