Small Exterior Design Ideas

Stony Point
Stony Point
Hays + Ewing Design StudioHays + Ewing Design Studio
Readily available roof trusses were inverted to create ceiling interest and deep roof overhangs - a cost effective approach. Photo: Prakash Patel
Cedar Shingle Siding Alside Pelican Bay Color: Cape Cod Gray & Sunrise Windows
Cedar Shingle Siding Alside Pelican Bay Color: Cape Cod Gray & Sunrise Windows
Sidetex CompanySidetex Company
A Cape Cod style house with Alside Pelican Bay cedar shake siding, Color: Cape Cod Gray and Energy Star approved Sunrise Bay and double hung windows with white grids. Installed by Sidetex in North Haven CT 06473
The Coyle
The Coyle
Prentiss Balance Wickline ArchitectsPrentiss Balance Wickline Architects
Photographer: Alexander Canaria and Taylor Proctor
Entry View From Street
Entry View From Street
Colin Healy Design LLCColin Healy Design LLC
The low roof of the original house had no upstairs windows facing the lake views across the street
Ketron Custom Builders
Ketron Custom Builders
Ketron Custom BuildersKetron Custom Builders
Addition and renovation by Ketron Custom Builders. Photography by Daniel Feldkamp.
Doah House
Doah House
Patrick Farley ArchitectPatrick Farley Architect
This mountain retreat is defined by simple, comfy modernity and is designed to touch lightly on the land while elevating its occupants’ sense of connection with nature.
Marshall House
Marshall House
Paul Cashin ArchitectsPaul Cashin Architects
Photography by Richard Chivers https://www.rchivers.co.uk/ Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century. The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome. Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head. The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles. Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting. A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.
Portland Teahouse ADU
Portland Teahouse ADU
SQFT Studios LLC & SQFT Studios Architecture LLCSQFT Studios LLC & SQFT Studios Architecture LLC
Exterior at night - the sliding doors are covered with interior shades to make the entire building into a lantern. Photo by: Peter Chee Photography
Архивное, загородное
Архивное, загородное
Чабанюк НатальяЧабанюк Наталья
Туристическая база из бруса на Валдае, Ватцы

Small Exterior Design Ideas

6