Kristian Walker

Galina Coada Photography

This floating staircase was a different style from the usual Stairworks design. The owner wanted us to design, fabricate and install the steel and the treads, so our in-house staircase designer drew everything out. Because the owner has strong ties to China, he had everything sent away in order for the treads to be manufactured there. What made this tricky was that there wasn’t any extra material so we had to be very careful with our quantities when we were finishing the floating staircase build. The treads have LED light strips underneath as well as a high polish, which give it a beautiful finish. The only challenge is that the darker wood and higher polish can sometimes show scratches more easily. The stairs have a somewhat mid-century modern feel due to the square handrail and the Stairworks exclusive round spindle balustrade. This style of metal balustrade is one of our specialties as the fixing has been developed over the last year closely with our engineer allowing for there to be no fixings shown on the bottom of the tread while still achieving all engineering requirements.

Combining beautiful elements such as Victorian Ash treads with a glass balustrade and contemporary black steel handrail, Jasper Road is both an elegant exponent of craft as well as a bold feature.

New Oak and White closed string staircase. The first section has white closed risers with tread lighting to create that floating effect but enabling our client to have storage behind it. The top section is open riser with glass sub-risers to allow the natural light to flood through to the hall way from the large window on the half landing.

This gorgeous glass spiral staircase is finished in Washington in 2017. It was a remodel project. Stair diameter 67" Stair height : 114"

Internal - Floating Staircase Beach House at Avoca Beach by Architecture Saville Isaacs Project Summary Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.   Project Description Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner. The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living. Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction. A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach. The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach. The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out. A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach. Verandah is final transition space to beach: enclosable in winter; completely open in summer. This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable. Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials. Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds. Both bore and rainwater are harvested for reuse. Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment. Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder. The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms. The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun. Architecture Saville Isaacs https://www.architecturesavilleisaacs.com.au/ https://www.architecturesavilleisaacs.com.au/

Soaring 20 feet from the lower-level floor to the underside of the main floor ceiling, this 2017 home features a magnificent wall constructed of split-faced Indiana limestone of varying heights. This feature wall is the perfect backdrop for the magnificent black steel and stained white oak floating stairway. The linear pattern of the stone was matched from outside to inside by talented stone masons to laser perfection. The recess cove in the ceiling provides wall washing hidden LED lighting to highlight this feature wall.