Brown Kitchen with Metallic Splashback Design Ideas
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Drury DesignA large two-tiered island is the main work area in this two-cook kitchen. Featuring a waterfall Grothouse custom wood top and a matching quartz waterfall top with a large undermount sink.
The second work area is comprised of the large cooktop and smaller prep sink and double ovens. The raised walnut snack bar top was designed to block the view of the work area from visitors entering the room from the main hallway.
Bilotta Kitchen & HomeFor this project, the entire kitchen was designed around the “must-have” Lacanche range in the stunning French Blue with brass trim. That was the client’s dream and everything had to be built to complement it. Bilotta senior designer, Randy O’Kane, CKD worked with Paul Benowitz and Dipti Shah of Benowitz Shah Architects to contemporize the kitchen while staying true to the original house which was designed in 1928 by regionally noted architect Franklin P. Hammond. The clients purchased the home over two years ago from the original owner. While the house has a magnificent architectural presence from the street, the basic systems, appointments, and most importantly, the layout and flow were inappropriately suited to contemporary living.
The new plan removed an outdated screened porch at the rear which was replaced with the new family room and moved the kitchen from a dark corner in the front of the house to the center. The visual connection from the kitchen through the family room is dramatic and gives direct access to the rear yard and patio. It was important that the island separating the kitchen from the family room have ample space to the left and right to facilitate traffic patterns, and interaction among family members. Hence vertical kitchen elements were placed primarily on existing interior walls. The cabinetry used was Bilotta’s private label, the Bilotta Collection – they selected beautiful, dramatic, yet subdued finishes for the meticulously handcrafted cabinetry. The double islands allow for the busy family to have a space for everything – the island closer to the range has seating and makes a perfect space for doing homework or crafts, or having breakfast or snacks. The second island has ample space for storage and books and acts as a staging area from the kitchen to the dinner table. The kitchen perimeter and both islands are painted in Benjamin Moore’s Paper White. The wall cabinets flanking the sink have wire mesh fronts in a statuary bronze – the insides of these cabinets are painted blue to match the range. The breakfast room cabinetry is Benjamin Moore’s Lampblack with the interiors of the glass cabinets painted in Paper White to match the kitchen. All countertops are Vermont White Quartzite from Eastern Stone. The backsplash is Artistic Tile’s Kyoto White and Kyoto Steel. The fireclay apron-front main sink is from Rohl while the smaller prep sink is from Linkasink. All faucets are from Waterstone in their antique pewter finish. The brass hardware is from Armac Martin and the pendants above the center island are from Circa Lighting. The appliances, aside from the range, are a mix of Sub-Zero, Thermador and Bosch with panels on everything.
Lauren Levant InteriorThis is a traditional kitchen, yet the materials make it extraordinary: mosaics of natural seashell in a herringbone motif have been applied into the inside of the rich walnut cabinetry, creating a luminescent texture to the upper level areas. Beyond the rich walnut, the oven section and the custom hood accents are finished in a soft metallic gold lacquer. For the work tops, leathered quartzite creates a light but rich surface that begs to be touched. Metallic bronze glazed subway tile, grouted with glittering silica creates a dramatic backsplash that challenges the definition of traditional design. On the cabinetry, custom bronze hardware by Edgar Berebi is inset with hundreds of Swarovski crystals, producing an opulent layer of detail that feels like jewelry. Shimmering cut glass and crystal chandeliers finish off the luxe look in a way that feels glamorous and timeless.
Dave Bryce Photography
Corsini Stark ArchitectsLloyd Wright, son of Frank Lloyd Wright, designed the low-slung Gainsburg House in 1946 in the spirit of his father’s Usonian House prototypes of the 1930s. The new owners sought to reverse years of insensitive alterations while including a new kitchen, dining and family rooms, updated bathrooms, lighting and finishes, with accommodation for contemporary art display. The house was conceived as one area within an overall site geometry and the exterior can be seen from all interior angles and spaces. Our new palette compliments the original finishes and reinforces the existing geometry, enhancing a rhythm that moves throughout the house and engages the landscape in a continuous spatial composition. Images by Steve King Architectural Photography
UserBook-matched ash wood kitchen by Poggenpohl Hawaii is like no other. The attention to detail provides a beautiful and functional working kitchen. This project was designed for multiple family members and each rave how much they appreciate the new layout and finishes. This oceanfront residence boasts an incredible ocean view and the Ann Sacks Tile mirror porcelain tile backsplash allows for enough reflection to enjoy the beauty from all directions. The porcelain tile floor looks and feels like natural limestone without the maintenance. The hand-tufted wool rug creates a sense of luxury while complying with association rules. Furnishings selected and provided by Vision Design Kitchen and Bath LLC.
Mixed ElementBuilding Designer: Gerard Smith Design
Photographer: Paul Smith Images
Winner of HIA House of the Year over $2M
Brown Kitchen with Metallic Splashback Design Ideas
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