Dining Room Design Ideas with a Wood Stove and Grey Floor
Refine by:
Budget
Sort by:Popular Today
121 - 140 of 359 photos
Item 1 of 3
liebwerkDie Decke der alten Stube wurde erhalten und neu gestrichen. Auch die alte Balkenwand ist original. Da das Bodenniveau zugunsten der Raumhöhe runter genommen wurde, sind die neuen Holzfenster etwas höher als normal. Die Bank wurde aus alten Esszimmerstühlen gebaut.
HCC InteriorsThe aim for this West facing kitchen was to have a warm welcoming feel, combined with a fresh, easy to maintain and clean aesthetic.
This level is relatively dark in the mornings and the multitude of small rooms didn't work for it. Collaborating with the conservation officers, we created an open plan layout, which still hinted at the former separation of spaces through the use of ceiling level change and cornicing.
We used a mix of vintage and antique items and designed a kitchen with a mid-century feel but cutting-edge components to create a comfortable and practical space.
Extremely comfortable vintage dining chairs were sourced for a song and recovered in a sturdy peachy pink mohair velvet
The bar stools were sourced all the way from the USA via a European dealer, and also provide very comfortable seating for those perching at the imposing kitchen island.
Mirror splashbacks line the joinery back wall to reflect the light coming from the window and doors and bring more green inside the room.
Photo by Matthias Peters
Paul Cashin ArchitectsPhotography by Richard Chivers https://www.rchivers.co.uk/
Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century.
The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome.
Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head.
The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles.
Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting.
A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.
Orange Key Design StudiosDining space within a large open-plan living room created as part of a bespoke 2-storey Farmhouse extension for our Wiltshire clients.
一級建築士事務所 ｉｋｍｏ１段上がった、小上がりのダイニングから土間を見る。
山や庭にオープンな土間に対して、ダイニングは障子や木製建具で閉じることができます。
障子と板戸は既存の建具を再利用、ダイニングテーブルには撤去した古い木材を使っています。
（写真：西川公朗）
HCC InteriorsThe aim for this West facing kitchen was to have a warm welcoming feel, combined with a fresh, easy to maintain and clean aesthetic.
This level is relatively dark in the mornings and the multitude of small rooms didn't work for it. Collaborating with the conservation officers, we created an open plan layout, which still hinted at the former separation of spaces through the use of ceiling level change and cornicing.
We used a mix of vintage and antique items and designed a kitchen with a mid-century feel but cutting-edge components to create a comfortable and practical space.
Extremely comfortable vintage dining chairs were sourced for a song and recovered in a sturdy peachy pink mohair velvet
The bar stools were sourced all the way from the USA via a European dealer, and also provide very comfortable seating for those perching at the imposing kitchen island.
Mirror splashbacks line the joinery back wall to reflect the light coming from the window and doors and bring more green inside the room.
Photo by Matthias Peters
今井賢悟建築設計工房愛知県瀬戸市にある定光寺
山林を切り開いた敷地で広い。
市街化調整区域であり、分家申請となるが
実家の南側で建築可能な敷地は50坪強の三角形である。
実家の日当たりを配慮し敷地いっぱいに南側に寄せた三角形の建物を建てるようにした。
東側は うっそうとした森でありそちらからの日当たりはあまり期待できそうもない。
自然との融合という考え方もあったが 状況から融合を選択できそうもなく
隔離という判断し開口部をほぼ設けていない。
ただ樹木の高い部分にある新芽はとても美しく その部分にだけ開口部を設ける。
その開口からの朝の光はとても美しい。
玄関からアプロ－チされる低い天井の白いシンプルなロ－カを抜けると
構造材表しの荒々しい高天井であるLDKに入り、対照的な空間表現となっている。
ところどころに小さな吹き抜けを配し、二階への連続性を表現している。
二階には オ－プンな将来的な子供部屋 そこからスキップされた寝室に入る
その空間は 三角形の頂点に向かって構造材が伸びていく。
Janey Butler InteriorsThe stunning Dining Hall at the Janey Butler Interiors and Llama Architects Cotswold Barn project featuring incredible dining table, gas open fire with reclaimed stone & wood surround, feature chandelier light, contemporary art and curved plaster staircase. Professional Pics coming soon of this wonderful Barns transformation.
a-typic | Chloé VallotCet espace de 50 m² devait être propice à la détente et la déconnexion, où chaque membre de la famille pouvait s’adonner à son loisir favori : l’écoute d’un vinyle, la lecture d’un livre, quelques notes de guitare…
Le vert kaki et le bois brut s’harmonisent avec le paysage environnant, visible de part et d’autre de la pièce au travers de grandes fenêtres. Réalisés avec d’anciennes planches de bardage, les panneaux de bois apportent une ambiance chaleureuse dans cette pièce d’envergure et réchauffent l’espace cocooning auprès du poêle.
Quelques souvenirs évoquent le passé de cette ancienne bâtisse comme une carte de géographie, un encrier et l’ancien registre de l’école confié par les habitants du village aux nouveaux propriétaires.
A-List Builders Inc.A minimalist's dream, this is a clean and simple dining room, no frills, just a nice tidy space o enjoy meals, drinks and conversations.
Dining Room Design Ideas with a Wood Stove and Grey Floor
7