Hi again- I have been looking at Benjamin Moores colors and have chosen a few you might look at. My technique for color choices is to buy several large sheets of MDF from the hardware and several paint samples that I think will work. Grab a plain white sample pot as well and just play with colors; if what you thought looked good in the shop and doesn't look good in reality, just add a bit of the white to lighten it and use the darker tones to deepen. Once you've found the color you like paint it on one of the large MDF sheets and live with it for a day or two and see how it looks morning,night, south side of building,northside of building. If the color that you like is one that you've mixed yourself, just go back to the paintshop as I'm sure B Moore would have the right shade so you can match it. Do you know the color name of the roofing? Is it IRONSTONE or MONUMENT? I'd be tempted to use that same color for the windows. My personal trick for contrast and trims is to take the main color and ask paint shop to make it up in 1/4 strength even lighter if need be. Good luck and post pictures when it's finished.

Try this. Hang the television to the right of the wood stove on the wall opposite the french doors. Use the wall with the high windows for a looong sofa and add two chairs across / angled slightly - low back so you can look over one to television. use console / sofa table on entry /bed door wall just past where entry door opens so you have a lay down surface. Forget glass, it isn't for this era and won't make it feel bigger. Paint ALL french doors inside and out and small windows and entry door same color and trim same color too. Try a charcoal rather than a black - something in the blue-green-gray shades like new providence navy. do all the walls in kitchen and living in a warm white - this tone has the wood as an undertone - http://www.benjaminmoore.com/en-us/paint-color/woodash then, for the cabinets . . do a bungalow thing and go deeper on the cabinets to a classic drabware tone - with the wood walls and floors / try bm bracken biscuit http://www.benjaminmoore.com/en-us/paint-color/brackenbiscuit these will all go together like gangbusters, keep it light and bright but interesting and work with a new blue green gray back door in a tone like bm beach glass http://www.benjaminmoore.com/en-us/paint-color/beachglass templeton gray as a counterpoint on some craigslist piece of furniture . . add warm undertone tan and oatmeal nubby tweed upholstery to start . . the teal navy gray will work with the black iron stove and accents without going black. start keeping the left door to the kitchen closed and get a door stop to hold the other one open permanently . . this will work because you need a little more wall to make the tv work well - in the kitchen, pull your table away from the wall just a tad - consider a padded bench on the wall to provide a kind of sitting space in there and put the chairs across - if you shift your television to the wall (high enough the heat is not an issue , you can still have big speakers work well - and remote the media equipment - run the wire and patch the holes. Hang it mid-height - eye level when you sit plus 15 degrees . . check out the amazing sconces you can put on the entry wall - shades of light petersik pendant with home-made trim wood brace to pump it out from the wall since the power is high? over the console? round wood table in middle - even a hd butcherblock round on a painted drum base in trim tone? With those tones - teal gray, biscuit, creamy off-white, muted blue-greens - paint your white chairs and a hand me down bench wythe blue and find a graphic sunbrella print with a little blue green, chocolate and orange for cushions and pad skirts with velcro at the table . . make a galvinized pipe leg / plank 1 x 12 / clear finish console for behind the door . . now you are cooking with gas . .

I won't bother with lattice, barrels are partially obscured from the street by fencing and if I put it up I would have to work around the lattice in order to turn the valves for water. If I can just make better use of collected water I'll be happy. We are at the end of our growing season so I should be cleaning up the garden and putting it to bed for the winter, just can't seem to get motivated. We had our first frost last week. Usually, our average early frost date is 1 November. I got almost no produce from garden this year, but there is always next year. Chookchook2 I've seen some of those decorative metal panels and they are gorgeous, sure hope your budget will allow you to get some before too long. Most of our state has been on fire for a good part of the summer. The closest is across the river from us and they have been battling it for almost a month. Some friends have had to evacuate repeatedly. We've only been concerned once, a small grass fire on our side of the river on a day we had wind gusts up to 65mph. Fortunately, it was put out quickly. Australia and New Zealand have both sent firefighters to help with the blazes. I can't begin to tell you how appreciative we are. The closest fire was fought for almost a week by local volunteers only as there were no other resources available. They were all on other fires. The Army National Guard (reserve troops) were called out to help with support duties and for the first time ever the federal Department of Natural Resources (DNR) asked for civilian volunteers to help with non firefighting tasks, cutting fire breaks, moving supplies etc.

Hi There, Not sure if you are still looking for art/canvas for your space, but I'd thought id share my work with you. I'm a contemporary Aboriginal Artist located in Newcastle NSW. My works have been commissioned for a number of personal and commercial spaces including John Hunter Hospital, OPSM (Luxottica) Australia, St Vincents Hospital Sydney and Taronga Zoo, to name a few. My artworks have also won a number of prizes including Singleton Art Prize, OneSight Global Ray-Ban Wayfarer Indigenous design which saw my artwork produced on Ray-Ban Wayfarers and Wild at Taronga where I painted a full size rhino. The following artwork is a 2 panel piece and tells the story of our nations’ journey and the coming together and sharing of culture. Large red meeting circles, central within the design, are connected reflecting unity and reconciliation across cultural diversity. The continuous unbroken smaller circles woven throughout the piece are symbolic of community, Government and Corporate and the commitment to work together around shared vision to create better futures for our children. Linked to together the circles are also representative of the inevitable flow of future generations and a passing on of the baton to our youth. Size: 600 x 1200 x 2 http://www.saretta.com.au/collections/online-gallery/products/cross-cultures-series-2 I also have a number of other artworks at www.saretta.com.au. All the best with your design. Saretta