Those ideas are great / what a difference already. We were thinking of ranch sliders/ bi folds right along the front and taking out the triangular windows at the top as they are off set and filling that in with lineaboard painted a copper colour, and adding a more extensive deck. Thinking of taupe/grey paint on the roughcast at the bottom and lighter lineaboard or of the same taupe/grey at the top. Copper colours on the garage door, on the linea joins on the top half and around the soffits. What about the garage door being a block design e.g 5 x 4 block type look?Then it would match the entrance door. and covering in the windows at the bottom ( that's all garage underneath and is well lit with lights inside ). the outside light looks cool - maybe in copper? are you able to produce that for us, we would love to see if the concept works. Thank you.

Hello There: Your home looks like it has some good bones and period features. No one has yet to comment on marrying subway tiles on lower walls, with tongue and groove cladding on upper walls of your space. I am thinking this finished look could well end up looking quite "busy." Lots of competing "grid" lines, etc. If I understand correctly, this space is actually, or ultimately will be, a bathroom. Perhaps you do not want a wood product on lower sections of the walls because of potential water damage, etc. That said, there are excellent paints, sealants, etc., that you could apply that would guard against this. If painting, using Zinsser Sealant as base coat is a good starting point. As another alternative, you could use much larger tiles on lower portion of walls, oriented vertically. I am thinking 12" x 18" (or 24") tiles. Of course, these are more challenging to install, given their greater size and therefore, weight. Despite this, if you have an excellent tiler, it can definitely be done. For example, you could choose glass tiles, either clear or coloured. Going even further, you could install glass panels to lower sections of walls. You could "back paint" them or not. You could apply paint or even wallpaper (with a wonderful design and colour way you'd likely never tire of) prior to installing glass panels. The wallpaper idea, especially if design is more curvilinear in nature, would not be competing with verticality of tongue and groove, but rather, would complement and enhance it. If beautiful wallpaper (or heck, even a mural or timeless design could be painted directly on walls) is applied and then covered with clear glass panels, the overall effect would be akin to that of an art installation. Naturally, glass panels would be considerably more expensive, but would provide a more seamless, less cluttered appearance. Should you like this idea, simply check what thickness of glass would work best, both for aesthetic and safety purposes. If you have a bit of time to shop around for best supplier and price point, you could well suss out a source that will not "break the bank!" :) To affix glass panels to the walls you want to use hardware that is anodized. As an idea, you could use anodized lug nuts that are usually used for automotive purposes. I just looked up "anodized lug nuts" and see they are available in wide array of wonderful, decorative colours. This hardware would be visibly holding your glass panels in permanent place, but they would be a small attractive design element, ultimately adding another layer of visual interest to your space. I believe glass panels would tie in very well with your great, textured/mottled glass panelled door and transom. Too, I think the overall look would achieve a really attractive marriage as various materials, along with period architectural features would "read:" old, new, and timeless. I realize this design concept may seem counterintuitive to you and/or others, but I can "see it" and think it could be just fab! All The Best, Sharon Black, interior designer and contractor

Lighting - pendants over the servery bench should be another feature that complements your chosen kitchen surfaces. So whilst I love the copper pendants in picture 1.. They could work depending on the rest of your decor and would be a highlight in a neutral white/timber kitchen = Good! If you choose copper you would complement it with a couple of copper bench top items. These are beautiful! (I collect copper because I love it, my kitchen pendants are silver, I renovated to sell in the next 3-5 years) You will see a picture starting to form in your mind and there is nothing wrong with making a statement with your lighting. I found that when I wasn't sure I would get a very strong sense of what was right and what was wrong for a space, then common sense or passion would determine the outcome! Here are another couple that might work, look her on Houzz under lighting, search pendants, then have fun looking!Timber tones with black or white to complement your cabinets... or Statement white pendants for a bit of quirky fun! Your personality can be reflected in your lighting and accessories creating that point of difference from the predictable white on timber look. Plus don't forget the power of greenery to punctuate the theme!

Brief: The client had purchased a 4 bedroom villa with large proportions. With white walls throughout, and very little existing furniture that the client wanted to keep, it was a blank canvas for design work in all areas of the house. A new kitchen was required to allow the client to enjoy cooking and house contemporary storage solutions. The client wanted to retain the integrity of some of the villa features, yet create a contemporary elegance which was different from a traditional take on design, and incorporated a quirky eclectic feel that could include reference to other eras. They wanted a sense of luxury and surprise incorporated into the design but didn’t want the traditional busy-ness of the Victorian era in which the villa was built but a more uncluttered simplicity. Newly purchased villa Solutions: With the entire house being white, and the existing black painted floorboards and grey carpet, a black and white base to the colour scheme was layered with accents of red and aqua, mixed with metallic silvers and charcoals. The starting point for this colour scheme was a painting the client had for the living area, which had a touch a soft aqua in it. (as pictured below) and we wanted to connect it into the room. A variety of depth of aqua tones were brought into the colour scheme to give it more depth but keep it restful. Existing art work The existing kitchen was dark and heavy and required a complete redesign, but had to fit with the existing large scullery area in behind it and incorporate all the modern storage within. The new design bought together pattern, texture and light. The cabinets above the hobs were printed with graphics on glass which incorporated a large scale traditional pattern and a touch of the soft aqua blue. This pattern on the glass uses a traditional emblem element and plays with scale to contemporise it. The main bench-top and cabinetry were kept light and white, to connect with the rest of the house, and an asymmetrical feature bench-top in Petra Grigio marble was added to balance the asymmetry of thehigh wall cabinetry on the back wall. The feature marble added interest and depth to the island. The high wall cabinetry was kept open on the right, to visually connect with the scullery rather than close it off. The splash back tiles on the back wall and tiles on the back of the island were heavily textured and played with the light to create a sense of interest and movement. The kitchen is situated in a south facing part of the house so it was important to consider reflectance, sheen, and the use of materials that added to the perception of light. The kitchen and scullery floor was also replaced with quirky tiles that played with light. To complete the area, high gloss black glass lights were hung over the island.These light fittings had a large base plate so the framing of the fretwork on the ceiling had to be enlarged to install them. The previous kitchen was flued through the roof on the kitchen side, we took it through the back wall and up through the scullery shelving in order to take it out of sight. The design off the kitchen allows connection to other areas so that while the kitchen is being used by the client, he can entertain at the same time. Before After The dining family area was open plan to the kitchen. A large American ash dining table with a charcoal stain was added with fully upholstered dining chairs, sitting on a custom designed rug. Contemporary cabinets in Resene Black-white sat on either side of the fireplace which had the hearth replaced in a black Basalt and a new gas fire retro-fitted into it. Contemporary chairs and small black leather and chrome side tables gathered around the fireplace sitting on a custom designed rug to provide a comfortable conversation space with out cluttering it with heavy furniture. All the fabrics and rugs pulled together the aqua, black and white colour scheme. Each chair around the fireplace was upholstered in a different luxurious velvet fabric, pulling together the traditional and retro elegance. Before After The formal lounge connected to the kitchen area and the back patio area of the house. The furniture was custom built for comfort and luxury. The fabrics incorporated velvets and texture, and the custom made rug added a high silky sheen to the room. Red was introduced into this area along with the aquas and the black -white base to bring warmth into a south facing room. A black basalt hearth was overlaid on the existing hearth, and the clients existing entertainment cabinet was recoloured to work with the scheme. A large traditional decorative silver framed mirror reflects back to the kitchen connecting the areas. This area provided the client with a spatial sanctuary, but also allowed for entertainment with the connection through to the kitchen and living areas. Before After The entrance hallway had large proportions. New hall lights were added that were made from a contemporary medium of black acrylic, yet were a modern take on a traditional chandelier. The pattern of these lights was reflected in the design of a custom designed hall runner. The scale of pattern oversized to enhance the proportions of the hallway and emphasis the contemporary feel. A touch of red was added in to bring interest into the colour scheme, you can see the formal lounge at the end of the hallway and the red leads you in. There is a real sense of an eclectic mix of scale and over the top luxury in this space. The rug allowed the client to have a warmth and softness on the flooring. To furnish the hall, we had to custom size a hall table so that the proportions worked. Before After The final result is a seemless transition from Victorian through to contemporary, connecting through a variety of design elements and creating the eclectic elegance the client was after. Check out entire project here!