Hi again- I have been looking at Benjamin Moores colors and have chosen a few you might look at. My technique for color choices is to buy several large sheets of MDF from the hardware and several paint samples that I think will work. Grab a plain white sample pot as well and just play with colors; if what you thought looked good in the shop and doesn't look good in reality, just add a bit of the white to lighten it and use the darker tones to deepen. Once you've found the color you like paint it on one of the large MDF sheets and live with it for a day or two and see how it looks morning,night, south side of building,northside of building. If the color that you like is one that you've mixed yourself, just go back to the paintshop as I'm sure B Moore would have the right shade so you can match it. Do you know the color name of the roofing? Is it IRONSTONE or MONUMENT? I'd be tempted to use that same color for the windows. My personal trick for contrast and trims is to take the main color and ask paint shop to make it up in 1/4 strength even lighter if need be. Good luck and post pictures when it's finished.

Try this. Hang the television to the right of the wood stove on the wall opposite the french doors. Use the wall with the high windows for a looong sofa and add two chairs across / angled slightly - low back so you can look over one to television. use console / sofa table on entry /bed door wall just past where entry door opens so you have a lay down surface. Forget glass, it isn't for this era and won't make it feel bigger. Paint ALL french doors inside and out and small windows and entry door same color and trim same color too. Try a charcoal rather than a black - something in the blue-green-gray shades like new providence navy. do all the walls in kitchen and living in a warm white - this tone has the wood as an undertone - http://www.benjaminmoore.com/en-us/paint-color/woodash then, for the cabinets . . do a bungalow thing and go deeper on the cabinets to a classic drabware tone - with the wood walls and floors / try bm bracken biscuit http://www.benjaminmoore.com/en-us/paint-color/brackenbiscuit these will all go together like gangbusters, keep it light and bright but interesting and work with a new blue green gray back door in a tone like bm beach glass http://www.benjaminmoore.com/en-us/paint-color/beachglass templeton gray as a counterpoint on some craigslist piece of furniture . . add warm undertone tan and oatmeal nubby tweed upholstery to start . . the teal navy gray will work with the black iron stove and accents without going black. start keeping the left door to the kitchen closed and get a door stop to hold the other one open permanently . . this will work because you need a little more wall to make the tv work well - in the kitchen, pull your table away from the wall just a tad - consider a padded bench on the wall to provide a kind of sitting space in there and put the chairs across - if you shift your television to the wall (high enough the heat is not an issue , you can still have big speakers work well - and remote the media equipment - run the wire and patch the holes. Hang it mid-height - eye level when you sit plus 15 degrees . . check out the amazing sconces you can put on the entry wall - shades of light petersik pendant with home-made trim wood brace to pump it out from the wall since the power is high? over the console? round wood table in middle - even a hd butcherblock round on a painted drum base in trim tone? With those tones - teal gray, biscuit, creamy off-white, muted blue-greens - paint your white chairs and a hand me down bench wythe blue and find a graphic sunbrella print with a little blue green, chocolate and orange for cushions and pad skirts with velcro at the table . . make a galvinized pipe leg / plank 1 x 12 / clear finish console for behind the door . . now you are cooking with gas . .

You might paint the walls a bold color you really love, but I would recommend staying away from wallpaper as it is costly and too difficult to change. I agree with another poster that wider trim around the doors would help, and I would suggest that you paint all the trim white and add crown molding and a mop-board along the floor-wall junctures. I love the wood-tone door and would keep it as an accent piece and for contrast. You might add large, framed mirrors to the walls to reflect light and perhaps add a console table with a fairly large lamp. An interesting print area rug also can add pizzazz to this space. If you can use the bold wall color as an accent throughout the house, it will help to tie the entire color scheme together and give your home a unified look. In the offset hallway shown in Photos Two, Three, and Four, I would suggest you place a desk and chair and/or perhaps some bookcases and curio cabinets to make an interesting entrance way that can double as a study or home office. As an alternative, you could place a narrow dining table with leaves that fold down to allow easy traffic through the hallway. Above the table you could display some framed mirrors and, in matching frames, family photos that can serve as conversation starters. When you entertain, the fold-down dining table could be pulled out and/or moved to another room to accommodate your guests.

An old post , so sort of sorry to revive it ! The lighter shade looks a lot better , but something doesn't gel with me -- it looks like a beautiful Million Dollar house , let down by someone trying to save $10k . IF it was my place , the 2 things I would do is change ( or hide ) the round pillars , and the relatively cheap looking brickwork . I'd go for quality stonework in place of the brickwork , and carry the theme through to the pillars -- probably 'squaring' the pillars . In fact , I personally don't like the slightly strange 'extra' pillars -- I'd try to 'cut back' to 4 pillars , in a quality natural stone . Once I had done those 2 'improvements' , I'd sand back and restain a darker brown the entrance doors and surrounds -- that golden look screams 1980's IMO . I realise they tie in with the existing colours , but I'd want to get away from that look . Maybe I'm strange . . . . . . .