I would suggest you take out the cabinet that is to the right of the stove and use it elsewhere in the house -- perhaps in the bathroom or dining room with a hutch above it. Then, I would suggest you have someone install a lazy susan cabinet in the corner between the sink counter and the stove, meaning you would move the stove down a bit and have a small cabinet/counter top to the right of the stove. I would suggest you have the cabinets refinished in white and then paint the walls a pastel you like. If you would prefer white walls, then add white-painted crown molding and paint the ceiling a light neutral blue, such as Sherwin Williams Niagara Falls Blue. Then, I would suggest you choose a favorite accent color and use this sparingly in accessories like towels, pot holders, small vases or floral arrangements, and a valence above the triple windows. For a genuine 1940s look, you might have white ceramic square tiles with a rectangular red border installed as a back splash behind and above the stove. If you are replacing counter tops, I would suggest a light color such as white with a beige or light grey vein or striation for some sort of pattern. You might be able to find the same color and design in floor tile OR opt for a wood floor as another poster suggested.

Try wood and glass. Consider hanging the mirror vertically and about 5" from the sideboard top. You could also move the table under the light fixture, change it out for a chandelier, and put the sideboard and mirror on the clock wall where the mirror could double the chandy which should hang 36" or less above the table top.

Hello, Wondering if anyone can show me a photo of their kitchen that has a darker island top and a lighter back bench? or similar to... Thinking of doing a dark grey stone 3m island with waterfall ends with a white stone top on the back bench (this will have the hob/oven on it). Cabinetry is all white with wooden flooring. Thanks!

The number you need for adequate lighting is dependant on the light fitting, its brightness and the angle the light will cover. The physical size of the fittings will also affect the number that looks best. Two very small fittings may give adequate light but look lost, while three larger ones could seem crowded. You may even find some very small fittings that work well as a group of six. Take into account the width of the surface as well as the length so you can ensure it is all well lit. You may be able to change the brightness of the lamp in the fittings to give a good work light in the number of fittings that look best. Avoid creating strong bright/dark contrast areas on a work surface. More overlapping less-bright light is better than few brighter ones that leave dark patches between them. Also consider whether there are other elements in the space that the group of light fittings could relate to, whether window mullions, cupboard doors, seating etc. If something else is creating a strong rhythm, decide whether you want to echo, or offset that or have the lighting as a background element that doesn't have a strong relationship to it.