Oh, okay, may need to clarify some more. If you get a new 2 seater in place of the 2 white chairs, fine, but no blue chair at all next to the 'new' 2 seater. Won't be right with a blue chair too. So what ones are you planning to recover?. If getting rid of part of it, not understanding. 2 different styles placed next to each other won't look right. I wouldn't like old blue fabrics next to new fabrics or next to 2 different styles of furniture. New 2 seater and old blue chair next to each other, not good :)

Hi eclipse 66 I'm sorry to hear about your break in. This is quite tricky to picture as I wasn't certain which walls related to which, but I will give this a go. I wonder if your ceilings are around the 2.4mtr mark, as your doors suggest. Although you have many windows that are probably floor to ceiling, each room is sectioned off by this central corridor, so no real natural light gets down there, is that right? The little natural light that might filter through would be absorbed by the walls, and the colour you have on these walls would not be easily seen. Without. Sounding too mainstream here, I would absolutely paint an offwhite wall the entire corridor and each adjoining living area off that, with exception to your kitchen. All ceilings purest ceiling white along with the window frames and all internal doors. The walls in a satin finish to help the light reflect a little, and move around the wall without being too shiny. You haven't mentioned your floor? Try to keep it consistent in all the living areas including your hallway, and only carpet the bedrooms as these doors would be closed often. With the door filled hallway being a white gloss finish, and a white ceiling in a flat white, the walls will feel a little warmer in comparison, although still a white, perhaps something like a hog bristle 1/4 strength by dulux. In your main living room, and kitchen, paint the hog bristle in full strength, so it feels warmer, as these spaces flow onto each other, feeling larger as a whole. With your doors being so tall, (or the ceiling being comparably low), hang your window rods if any right at ceiling level, use a sheer curtain that even when partly closed let's light filter through, they dress the window but won't block light, for that install roller blinds that will roll right up exposing as much daylight as possible, and if privacy is a factor, the sheer will provide a buffer and still seem light filled. Even if these are never used, framing the window will place an emphasis on the window frame, and more importantly the light they provide, swell as an illusion of vertical space even without it. Aother suggestion for that hall is to use this principle to heighten the ceiling, visually, is to use lining boards vertically, or a wallpaper with a strip or vertical print. Drawing you eye upward toward the end, with a wallpaper, I'm thinking of one I've seen many times over, it's a white or cream background, with an image of birch trunks, the base or top of the trees arent revealed in the picture so it doesn't make the space feel from a low or high perspective. This would provide a creative distraction to the corridor, evoke a feeling as you have walking through a beautiful place, and is graphic but still very neutral. You can even paper you doors so when they're closed, the hallway won't feel so busy. I would remove carpet in the hall if you have any, because a warm closed in space without proper airflow, or light feels stuffy, and carpet absorbs sound and lint, where floorboards or hard surface atleasts has a sound walking down it, which amplifies noise and feels bigger again by comparison. Against this neutral, cohesive space, your furniture andpersonality pieces can really stand out, particularly the red. I would also use this in the kitchen somewhere, maybe a gingham check fabric on the kitchen window or just your accessories. The less is more theory also extends to colour, particularly in smaller busy spaces, minimize these elements, like the repeat of doors and architraves on your walls, by tying them in with single colour, and keep your decorations either in a theme or single colour hue. Scatter your colour around so visually you have somewhere your eye is drawn to around the space. If you get pictures I will know if I'm way off track, but if any of them resonate with you, then great. Good luck. Ml design

This made me laugh: http://www.theguardian.com/environment/2016/jun/09/seagull-turns-orange-after-falling-into-vat-of-chicken-tikka-masala I couldn't copy the picture, but it's hilarious.

You might paint the walls a bold color you really love, but I would recommend staying away from wallpaper as it is costly and too difficult to change. I agree with another poster that wider trim around the doors would help, and I would suggest that you paint all the trim white and add crown molding and a mop-board along the floor-wall junctures. I love the wood-tone door and would keep it as an accent piece and for contrast. You might add large, framed mirrors to the walls to reflect light and perhaps add a console table with a fairly large lamp. An interesting print area rug also can add pizzazz to this space. If you can use the bold wall color as an accent throughout the house, it will help to tie the entire color scheme together and give your home a unified look. In the offset hallway shown in Photos Two, Three, and Four, I would suggest you place a desk and chair and/or perhaps some bookcases and curio cabinets to make an interesting entrance way that can double as a study or home office. As an alternative, you could place a narrow dining table with leaves that fold down to allow easy traffic through the hallway. Above the table you could display some framed mirrors and, in matching frames, family photos that can serve as conversation starters. When you entertain, the fold-down dining table could be pulled out and/or moved to another room to accommodate your guests.