Hi eclipse 66 I'm sorry to hear about your break in. This is quite tricky to picture as I wasn't certain which walls related to which, but I will give this a go. I wonder if your ceilings are around the 2.4mtr mark, as your doors suggest. Although you have many windows that are probably floor to ceiling, each room is sectioned off by this central corridor, so no real natural light gets down there, is that right? The little natural light that might filter through would be absorbed by the walls, and the colour you have on these walls would not be easily seen. Without. Sounding too mainstream here, I would absolutely paint an offwhite wall the entire corridor and each adjoining living area off that, with exception to your kitchen. All ceilings purest ceiling white along with the window frames and all internal doors. The walls in a satin finish to help the light reflect a little, and move around the wall without being too shiny. You haven't mentioned your floor? Try to keep it consistent in all the living areas including your hallway, and only carpet the bedrooms as these doors would be closed often. With the door filled hallway being a white gloss finish, and a white ceiling in a flat white, the walls will feel a little warmer in comparison, although still a white, perhaps something like a hog bristle 1/4 strength by dulux. In your main living room, and kitchen, paint the hog bristle in full strength, so it feels warmer, as these spaces flow onto each other, feeling larger as a whole. With your doors being so tall, (or the ceiling being comparably low), hang your window rods if any right at ceiling level, use a sheer curtain that even when partly closed let's light filter through, they dress the window but won't block light, for that install roller blinds that will roll right up exposing as much daylight as possible, and if privacy is a factor, the sheer will provide a buffer and still seem light filled. Even if these are never used, framing the window will place an emphasis on the window frame, and more importantly the light they provide, swell as an illusion of vertical space even without it. Aother suggestion for that hall is to use this principle to heighten the ceiling, visually, is to use lining boards vertically, or a wallpaper with a strip or vertical print. Drawing you eye upward toward the end, with a wallpaper, I'm thinking of one I've seen many times over, it's a white or cream background, with an image of birch trunks, the base or top of the trees arent revealed in the picture so it doesn't make the space feel from a low or high perspective. This would provide a creative distraction to the corridor, evoke a feeling as you have walking through a beautiful place, and is graphic but still very neutral. You can even paper you doors so when they're closed, the hallway won't feel so busy. I would remove carpet in the hall if you have any, because a warm closed in space without proper airflow, or light feels stuffy, and carpet absorbs sound and lint, where floorboards or hard surface atleasts has a sound walking down it, which amplifies noise and feels bigger again by comparison. Against this neutral, cohesive space, your furniture andpersonality pieces can really stand out, particularly the red. I would also use this in the kitchen somewhere, maybe a gingham check fabric on the kitchen window or just your accessories. The less is more theory also extends to colour, particularly in smaller busy spaces, minimize these elements, like the repeat of doors and architraves on your walls, by tying them in with single colour, and keep your decorations either in a theme or single colour hue. Scatter your colour around so visually you have somewhere your eye is drawn to around the space. If you get pictures I will know if I'm way off track, but if any of them resonate with you, then great. Good luck. Ml design

I'd like to suggest that the most important thing here is more about who is using the room. If It's a child's bedroom use lovely children's curtains - there's so much around and any pattern could pick up the wall and floor colours. If a guest room and not used often I'd suggest a beautiful velvet or good quality Linen and forbid the little ones from going in to that room!!!!!! alternately a blind attached at floor level could be raised or lowered so the view is still there but with privacy from waist height perhaps. Good luck. Bee

Hi, I am building a new house, there will be large sliding doors the full length of the living area cos the view is great. Unfortunately there’s also a road in front of the house! I can mitigate this a bit by having a raised earth mound with grasses on top, also the glass will be tinted (subtlely) but this won’t be much help in the evening when the lights are on inside. I was wondering about strip lighting the edge of the deck or outside walls to counter (or replace) the inside lighting. I don’t want to burn up too much energy though and we are near a dark sky preserve. what about something hanging from the eaves that’s spot-lit?? Any ideas please! - it’s a simple design with a mono pitch roof lower side to the front. Thanks in anticipation BBL

The number you need for adequate lighting is dependant on the light fitting, its brightness and the angle the light will cover. The physical size of the fittings will also affect the number that looks best. Two very small fittings may give adequate light but look lost, while three larger ones could seem crowded. You may even find some very small fittings that work well as a group of six. Take into account the width of the surface as well as the length so you can ensure it is all well lit. You may be able to change the brightness of the lamp in the fittings to give a good work light in the number of fittings that look best. Avoid creating strong bright/dark contrast areas on a work surface. More overlapping less-bright light is better than few brighter ones that leave dark patches between them. Also consider whether there are other elements in the space that the group of light fittings could relate to, whether window mullions, cupboard doors, seating etc. If something else is creating a strong rhythm, decide whether you want to echo, or offset that or have the lighting as a background element that doesn't have a strong relationship to it.