Hello Lisa..thanks for your comments - so kind of you. The pictures are not good (sorry) and to be honest whilst I'm renovating I don't have the courage the post much at all ..well at least until it's finished but here are a few enclosed. My real idea is to get a discussion going that we might all enjoy. and yes how light strikes (as in angle?) can impact on even the paint colour etc. I see so many questions from readers about wallpaper paint colour etc and yet experts and skilled people such as yourself will know that it's the cohesion that has to work and light can play such a huge part. A wallpaper can be purchased and then prove disappointing if used in different a light as can paint - which is why we use your good services where possible! I've a pile of boards each with different colours (I use linen style artists boards as I can shift them around - I leave a white border on them to allow a suitable contrast) The small bedroom picture with the striped curtains was more to show that curtain colour - it's now blended with duck egg blue paint (sorry it's a New Zealand company called Resene's so it won't be known of there but called Robin's Egg Blue), ivory carpets which I had edged in a green/blue wool. Before these drapes (Laura Ashley) were in a different room and just didn't work. The bedroom hasn't been finished (See? I'm still a tad embarrassed) but I mentioned these as with incandescent lights this curtain colour did not work at all. Taking my courage in both hands and uploading a picture of the main living area which is to be painted next to do away with the strong saturated green..very dark and gloomy as the natural light is very limited. Hoping you can't see the paint splotches on the wall. Another lesson I learned is to paint a surface white and THEN paint the choices. If we don't do this the original surface colour 'bleeds'. So I really hope to have others including myself recognise that we have to have one eye to the climate and outdoor colours all the time as well as the same paint colour possibly being different from room to room. Regards...and thank you once again for taking the time to reply.

Try this. Hang the television to the right of the wood stove on the wall opposite the french doors. Use the wall with the high windows for a looong sofa and add two chairs across / angled slightly - low back so you can look over one to television. use console / sofa table on entry /bed door wall just past where entry door opens so you have a lay down surface. Forget glass, it isn't for this era and won't make it feel bigger. Paint ALL french doors inside and out and small windows and entry door same color and trim same color too. Try a charcoal rather than a black - something in the blue-green-gray shades like new providence navy. do all the walls in kitchen and living in a warm white - this tone has the wood as an undertone - http://www.benjaminmoore.com/en-us/paint-color/woodash then, for the cabinets . . do a bungalow thing and go deeper on the cabinets to a classic drabware tone - with the wood walls and floors / try bm bracken biscuit http://www.benjaminmoore.com/en-us/paint-color/brackenbiscuit these will all go together like gangbusters, keep it light and bright but interesting and work with a new blue green gray back door in a tone like bm beach glass http://www.benjaminmoore.com/en-us/paint-color/beachglass templeton gray as a counterpoint on some craigslist piece of furniture . . add warm undertone tan and oatmeal nubby tweed upholstery to start . . the teal navy gray will work with the black iron stove and accents without going black. start keeping the left door to the kitchen closed and get a door stop to hold the other one open permanently . . this will work because you need a little more wall to make the tv work well - in the kitchen, pull your table away from the wall just a tad - consider a padded bench on the wall to provide a kind of sitting space in there and put the chairs across - if you shift your television to the wall (high enough the heat is not an issue , you can still have big speakers work well - and remote the media equipment - run the wire and patch the holes. Hang it mid-height - eye level when you sit plus 15 degrees . . check out the amazing sconces you can put on the entry wall - shades of light petersik pendant with home-made trim wood brace to pump it out from the wall since the power is high? over the console? round wood table in middle - even a hd butcherblock round on a painted drum base in trim tone? With those tones - teal gray, biscuit, creamy off-white, muted blue-greens - paint your white chairs and a hand me down bench wythe blue and find a graphic sunbrella print with a little blue green, chocolate and orange for cushions and pad skirts with velcro at the table . . make a galvinized pipe leg / plank 1 x 12 / clear finish console for behind the door . . now you are cooking with gas . .

Hi eclipse 66 I'm sorry to hear about your break in. This is quite tricky to picture as I wasn't certain which walls related to which, but I will give this a go. I wonder if your ceilings are around the 2.4mtr mark, as your doors suggest. Although you have many windows that are probably floor to ceiling, each room is sectioned off by this central corridor, so no real natural light gets down there, is that right? The little natural light that might filter through would be absorbed by the walls, and the colour you have on these walls would not be easily seen. Without. Sounding too mainstream here, I would absolutely paint an offwhite wall the entire corridor and each adjoining living area off that, with exception to your kitchen. All ceilings purest ceiling white along with the window frames and all internal doors. The walls in a satin finish to help the light reflect a little, and move around the wall without being too shiny. You haven't mentioned your floor? Try to keep it consistent in all the living areas including your hallway, and only carpet the bedrooms as these doors would be closed often. With the door filled hallway being a white gloss finish, and a white ceiling in a flat white, the walls will feel a little warmer in comparison, although still a white, perhaps something like a hog bristle 1/4 strength by dulux. In your main living room, and kitchen, paint the hog bristle in full strength, so it feels warmer, as these spaces flow onto each other, feeling larger as a whole. With your doors being so tall, (or the ceiling being comparably low), hang your window rods if any right at ceiling level, use a sheer curtain that even when partly closed let's light filter through, they dress the window but won't block light, for that install roller blinds that will roll right up exposing as much daylight as possible, and if privacy is a factor, the sheer will provide a buffer and still seem light filled. Even if these are never used, framing the window will place an emphasis on the window frame, and more importantly the light they provide, swell as an illusion of vertical space even without it. Aother suggestion for that hall is to use this principle to heighten the ceiling, visually, is to use lining boards vertically, or a wallpaper with a strip or vertical print. Drawing you eye upward toward the end, with a wallpaper, I'm thinking of one I've seen many times over, it's a white or cream background, with an image of birch trunks, the base or top of the trees arent revealed in the picture so it doesn't make the space feel from a low or high perspective. This would provide a creative distraction to the corridor, evoke a feeling as you have walking through a beautiful place, and is graphic but still very neutral. You can even paper you doors so when they're closed, the hallway won't feel so busy. I would remove carpet in the hall if you have any, because a warm closed in space without proper airflow, or light feels stuffy, and carpet absorbs sound and lint, where floorboards or hard surface atleasts has a sound walking down it, which amplifies noise and feels bigger again by comparison. Against this neutral, cohesive space, your furniture andpersonality pieces can really stand out, particularly the red. I would also use this in the kitchen somewhere, maybe a gingham check fabric on the kitchen window or just your accessories. The less is more theory also extends to colour, particularly in smaller busy spaces, minimize these elements, like the repeat of doors and architraves on your walls, by tying them in with single colour, and keep your decorations either in a theme or single colour hue. Scatter your colour around so visually you have somewhere your eye is drawn to around the space. If you get pictures I will know if I'm way off track, but if any of them resonate with you, then great. Good luck. Ml design

Have you tried a custom lighting specialist?