Thank you for your help, I had never questioned my taste until a recent visitor commented on my lack of color! I like the look of the mongolian lambs wool cushions-have not seen here in New Zealand, I will have to search. Thanks for the reminder about mirror, it mostly does reflect the dresser but yes the doors are focal too, I hadn't noticed. I used to have more height on the living area coffee table but when I removed the Television and hung the vintage ceiling tiles (photo attached) on the wall the height interrupted them from another angle (not photographed). Our house is located semi rural with bush and water views, with this being quite focal in the lounge (with the wall paper) which is why I have not hung art. With this (as photographed below) would you still hang something? Really appreciate you all taking the time to answer. Thanks.

Hi anne, that's what I was originally thinking, my issue is what colour I use for the 'pop' :) I keep coming back to a teal/turquoise colour (it's one of my favourite colours!!), I love blues, purples, teal/turquoise - many on here have suggested yellow but I'm really not sure about it. Here in New Zealand we're in Autumn, nearing Winter so uncertain about the yellow. I found these cushions that I've fallen in love it, and wondering how I could make these work.. do I try teal and mustard together, as an interior designer suggested?

Try this. Hang the television to the right of the wood stove on the wall opposite the french doors. Use the wall with the high windows for a looong sofa and add two chairs across / angled slightly - low back so you can look over one to television. use console / sofa table on entry /bed door wall just past where entry door opens so you have a lay down surface. Forget glass, it isn't for this era and won't make it feel bigger. Paint ALL french doors inside and out and small windows and entry door same color and trim same color too. Try a charcoal rather than a black - something in the blue-green-gray shades like new providence navy. do all the walls in kitchen and living in a warm white - this tone has the wood as an undertone - http://www.benjaminmoore.com/en-us/paint-color/woodash then, for the cabinets . . do a bungalow thing and go deeper on the cabinets to a classic drabware tone - with the wood walls and floors / try bm bracken biscuit http://www.benjaminmoore.com/en-us/paint-color/brackenbiscuit these will all go together like gangbusters, keep it light and bright but interesting and work with a new blue green gray back door in a tone like bm beach glass http://www.benjaminmoore.com/en-us/paint-color/beachglass templeton gray as a counterpoint on some craigslist piece of furniture . . add warm undertone tan and oatmeal nubby tweed upholstery to start . . the teal navy gray will work with the black iron stove and accents without going black. start keeping the left door to the kitchen closed and get a door stop to hold the other one open permanently . . this will work because you need a little more wall to make the tv work well - in the kitchen, pull your table away from the wall just a tad - consider a padded bench on the wall to provide a kind of sitting space in there and put the chairs across - if you shift your television to the wall (high enough the heat is not an issue , you can still have big speakers work well - and remote the media equipment - run the wire and patch the holes. Hang it mid-height - eye level when you sit plus 15 degrees . . check out the amazing sconces you can put on the entry wall - shades of light petersik pendant with home-made trim wood brace to pump it out from the wall since the power is high? over the console? round wood table in middle - even a hd butcherblock round on a painted drum base in trim tone? With those tones - teal gray, biscuit, creamy off-white, muted blue-greens - paint your white chairs and a hand me down bench wythe blue and find a graphic sunbrella print with a little blue green, chocolate and orange for cushions and pad skirts with velcro at the table . . make a galvinized pipe leg / plank 1 x 12 / clear finish console for behind the door . . now you are cooking with gas . .

Hi eclipse 66 I'm sorry to hear about your break in. This is quite tricky to picture as I wasn't certain which walls related to which, but I will give this a go. I wonder if your ceilings are around the 2.4mtr mark, as your doors suggest. Although you have many windows that are probably floor to ceiling, each room is sectioned off by this central corridor, so no real natural light gets down there, is that right? The little natural light that might filter through would be absorbed by the walls, and the colour you have on these walls would not be easily seen. Without. Sounding too mainstream here, I would absolutely paint an offwhite wall the entire corridor and each adjoining living area off that, with exception to your kitchen. All ceilings purest ceiling white along with the window frames and all internal doors. The walls in a satin finish to help the light reflect a little, and move around the wall without being too shiny. You haven't mentioned your floor? Try to keep it consistent in all the living areas including your hallway, and only carpet the bedrooms as these doors would be closed often. With the door filled hallway being a white gloss finish, and a white ceiling in a flat white, the walls will feel a little warmer in comparison, although still a white, perhaps something like a hog bristle 1/4 strength by dulux. In your main living room, and kitchen, paint the hog bristle in full strength, so it feels warmer, as these spaces flow onto each other, feeling larger as a whole. With your doors being so tall, (or the ceiling being comparably low), hang your window rods if any right at ceiling level, use a sheer curtain that even when partly closed let's light filter through, they dress the window but won't block light, for that install roller blinds that will roll right up exposing as much daylight as possible, and if privacy is a factor, the sheer will provide a buffer and still seem light filled. Even if these are never used, framing the window will place an emphasis on the window frame, and more importantly the light they provide, swell as an illusion of vertical space even without it. Aother suggestion for that hall is to use this principle to heighten the ceiling, visually, is to use lining boards vertically, or a wallpaper with a strip or vertical print. Drawing you eye upward toward the end, with a wallpaper, I'm thinking of one I've seen many times over, it's a white or cream background, with an image of birch trunks, the base or top of the trees arent revealed in the picture so it doesn't make the space feel from a low or high perspective. This would provide a creative distraction to the corridor, evoke a feeling as you have walking through a beautiful place, and is graphic but still very neutral. You can even paper you doors so when they're closed, the hallway won't feel so busy. I would remove carpet in the hall if you have any, because a warm closed in space without proper airflow, or light feels stuffy, and carpet absorbs sound and lint, where floorboards or hard surface atleasts has a sound walking down it, which amplifies noise and feels bigger again by comparison. Against this neutral, cohesive space, your furniture andpersonality pieces can really stand out, particularly the red. I would also use this in the kitchen somewhere, maybe a gingham check fabric on the kitchen window or just your accessories. The less is more theory also extends to colour, particularly in smaller busy spaces, minimize these elements, like the repeat of doors and architraves on your walls, by tying them in with single colour, and keep your decorations either in a theme or single colour hue. Scatter your colour around so visually you have somewhere your eye is drawn to around the space. If you get pictures I will know if I'm way off track, but if any of them resonate with you, then great. Good luck. Ml design