As chookchook said in her recommendation about painting, put a drop cloth on the floor. Get a very safe ladder. remove the lightbulbs, and cover the outlets. Turn off the electricity to the chandelier. Then spray it with a mild cleaner (I use one I found at Target that's basically water with vinegar, until it's dripping wet. Start at the bottom and work your way up, so you don't have dirty spray dripping on the bottom of the chandelier.Work your way up and down until the dripping spray is clean. The chandelier may be gorgeous and expensive, but it seems totally out of place in the architecture of the room--more at home in a chalet than a sunny room with a window wall. I would probably try to find a way to get it removed, and sell it to someone who appreciated it better than I.

Hi eclipse 66 I'm sorry to hear about your break in. This is quite tricky to picture as I wasn't certain which walls related to which, but I will give this a go. I wonder if your ceilings are around the 2.4mtr mark, as your doors suggest. Although you have many windows that are probably floor to ceiling, each room is sectioned off by this central corridor, so no real natural light gets down there, is that right? The little natural light that might filter through would be absorbed by the walls, and the colour you have on these walls would not be easily seen. Without. Sounding too mainstream here, I would absolutely paint an offwhite wall the entire corridor and each adjoining living area off that, with exception to your kitchen. All ceilings purest ceiling white along with the window frames and all internal doors. The walls in a satin finish to help the light reflect a little, and move around the wall without being too shiny. You haven't mentioned your floor? Try to keep it consistent in all the living areas including your hallway, and only carpet the bedrooms as these doors would be closed often. With the door filled hallway being a white gloss finish, and a white ceiling in a flat white, the walls will feel a little warmer in comparison, although still a white, perhaps something like a hog bristle 1/4 strength by dulux. In your main living room, and kitchen, paint the hog bristle in full strength, so it feels warmer, as these spaces flow onto each other, feeling larger as a whole. With your doors being so tall, (or the ceiling being comparably low), hang your window rods if any right at ceiling level, use a sheer curtain that even when partly closed let's light filter through, they dress the window but won't block light, for that install roller blinds that will roll right up exposing as much daylight as possible, and if privacy is a factor, the sheer will provide a buffer and still seem light filled. Even if these are never used, framing the window will place an emphasis on the window frame, and more importantly the light they provide, swell as an illusion of vertical space even without it. Aother suggestion for that hall is to use this principle to heighten the ceiling, visually, is to use lining boards vertically, or a wallpaper with a strip or vertical print. Drawing you eye upward toward the end, with a wallpaper, I'm thinking of one I've seen many times over, it's a white or cream background, with an image of birch trunks, the base or top of the trees arent revealed in the picture so it doesn't make the space feel from a low or high perspective. This would provide a creative distraction to the corridor, evoke a feeling as you have walking through a beautiful place, and is graphic but still very neutral. You can even paper you doors so when they're closed, the hallway won't feel so busy. I would remove carpet in the hall if you have any, because a warm closed in space without proper airflow, or light feels stuffy, and carpet absorbs sound and lint, where floorboards or hard surface atleasts has a sound walking down it, which amplifies noise and feels bigger again by comparison. Against this neutral, cohesive space, your furniture andpersonality pieces can really stand out, particularly the red. I would also use this in the kitchen somewhere, maybe a gingham check fabric on the kitchen window or just your accessories. The less is more theory also extends to colour, particularly in smaller busy spaces, minimize these elements, like the repeat of doors and architraves on your walls, by tying them in with single colour, and keep your decorations either in a theme or single colour hue. Scatter your colour around so visually you have somewhere your eye is drawn to around the space. If you get pictures I will know if I'm way off track, but if any of them resonate with you, then great. Good luck. Ml design

There is nothing worse than ceiling-mounted lights--harsh shadows, flat lighting. They are strictly for utility. I would put a large-ish, shallow cylindrical shade on them and put nothing more than a 15-watt bulb in them. Use them strictly for lighting your way as you walk through the room. I agree with Vincent; the chair in the corner doesn't fit at all, nor does the one under the A/C unit (put that one with its mate behind the love seat). And the curtains look smooshed. I think the problem with the bookcases is that they are uninteresting. Did you buy books-by-the-yard? What are all those identical books? They are visually uninteresting. I'd get rid of some of them and get some colorful ceramics/glass/photos. The room is absolutely overwhelmed with furniture. It needs one less love seat. Do you really need all of them? Pushing them against the walls/curtains so tightly just visually emphasizes the fact that there is too much furniture. I don't think a mirror above the fireplace will work. When people are sitting down (which is most of the time), all they will see is a reflection of the ceiling--the plain, white ceiling. Get some real art in there with some color.

Unless buying custom manufactured wood cabinets, you are buying a series of boxes. A 100k euro kitchen installation of an Italian kitchen is one example from my portfolio. Differences are found in the hardware, the door/drawer pulls, weight of doors and exterior finishes. It is about the design, first. In our region, you can knock off 1200-2000 just be sticking with a full depth fridge--but it is design that will make it possible to install full depth and get a counter depth effect. In the Garden Oaks Fine Accommodation residential display suite I needed to prove that a high-end design can be executed for less. Again, it is design that does the trick. The owner of the kitchen above loves the pendants over the breakfast counter. I did not have the heart to reveal the price--$19 each. That owner likes/needs bling so the 14k euro chandeliers (2) in the foyer are a feature. But we get more comments on our pendants--because they are integral to the overall design. Real estate agents have pegged this kitchen at anywhere from 45-75k. It cost under 30k. DYI projects offer the opportunity to take the time that you might not otherwise allow to a designer (hence our need to come equipped with knowledge, contacts and suppliers that augment our services). I recommend drawing from images (Houzz is great for that) to start, then researching suppliers, collecting specs, and developing a document that covers all aspects of the kitchen from lifestyle needs to style to comparisons of product reviews. Whittle it down to an instruction for purchase and installation. Consider challenges such as the dreadful corner cabinet turntable and splurge on solutions that make your design truly functional. You'll appreciate the expense that delivers practical functionality. There are remarkable solutions for the corner cabinet--but my fav is to determine whether that space can become storage (cabinet or drawers) in an adjoining room. When not practical, articulated pull-out stainless shelves are functional--and cool. Undermounted sinks are great for clean-line counters. Well placed recessed lighting (design again) eliminates the need for other fixtures--and allows you free rein to purchase for focal point impact or (my preference) to fit seamlesly into the overall look. Enjoy the journey--have fun!